ISSUE 5 - 1975

cover size 296 x 210 mm
EDITORIAL NOTE
This is our fifth publication, made possible by the
generosity of donors whose contributions we acknowledge elsewhere. A comment
from the editors may not be out of place. we still receive twice as many
contributions in verse as come to us in prose: and we welcome the chance of
receiving whatever friends may send us: but we have on this occasion
deliberately included a greater proportion of prose pieces. We have done this
for a number of reasons: firstly because it is in prose that a critical note can
be struck, and we have received some direct criticism of "Voices" and its aims,
with which we do not agree, but which may well open a discussion.
For reasons of economy we have been less generous with
our spacing and margins, and hope to contain the same amount of material in the
present 48 pages as filled 60 previously.
At the bottom of this page we have given guidelines as
to how future contributions should be sent to us. As contributions increase in
number it is quite essential that writers co-operate in making our task
manageable.
"The Record" organ of the Transport and General workers'
Union, the "Morning Star" and "Comment" have all been helpful in noticing
"Voices". We would welcome notices in all Trade Union publications and Labour
movement papers.
We think that the political stand of "Voices" is
crystallising: we still want to make it as broad and catholic a publication as
the Labour movement wants and requires: confident, critical, and reflecting the
growing struggle of the movement fighting for socialism. we are primarily a
literary publication: the ideas, the activities, the spirit of working class
activity, pugnacious, unapologetic, but committed to inspiring people not
sending them to sleep; and if we are a frankly propagandist organ, this does not
mean that we compete with theoretical or pamphleteering writing.
B.A.
TO INTENDING CONTRIBUTORS
We welcome poems, articles, stories, for consideration.
We promise considerate and careful reading of them. We cannot possible
acknowledge every piece we receive, but we will return unselected contributions
provided a stamped addressed envelope is enclosed.
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S.O.S VOICES 5 Our
Appeal in November
With an utterly empty purse to begin the publication of
"Voices 5" we put out our appeal for £150. By December 18th we had received
£139.50, and the issue of "Voices 5" is assured. We did not acknowledge every
donation individually: it would have cost us a precious two pounds. This is a
complete list of all donors (to December 18th) and we are very grateful to all
of them.
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Daphne Morgan 50P |
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AUEW(Mcr) £2 |
|
Rose Friedman(2)£1 |
IT'S ALL YOUR FAULT |
|
So there's something wrong
with the economy? |
We're to blame Jock, Geordie,
Taffy and me. |
We're greedy bastards, they
tell me, |
Out to wreck the Fair Phase 3. |
In Phase 2 we had a pound and
four per cent, |
Now we wonder where it all
went. |
|
But you're richer now", our
guvnors say, |
So let's have some "British
Fair Play". |
Your share of the cake is
getting larger, |
You turn around, another
merger. |
Your job is gone, and so's
your money, |
The guvnors say, "Now ain't
life funny". |
BROWN WINDSOR SOUP
Frank Parker
Heyhey trembled under the onslaught of chemical changes
in his body provoked by the alarm signals from his brain triggered off by his
assessment of the realities of what he was seeing.
Beebe, almost another self, beautiful, complementary
Beebe stood very close, smoothing his suddenly hot forehead with her cool,
practical hands.
On the computers screen was a visual impression of the
data they had fed into it. They saw a man and a woman. The man looked like
Heyhey, the woman like Bee.
'With our genetic structure, future humans will not show
any physical difference", commented Heyhey.
"No", agreed Bee. "You disappointed?"
"I suppose I am", he admitted, relieved too.
"It's not conclusive", Bee pointed out.
"No", said Heyhey, "But it is logical. As we are now, do
we want to be different? Does any human being apart from superficial changes
like height, features, hair, mere fashions?"
"I know none , said Bee. "Yet we could choose to be
different", said Heyhey."
"But what for?" said Bee.
"We could have wings", said Heyhey smiling.
"We got wings , said Bee, "We've got everything known in
the universe. We can fly like birds, dig like moles, do everything, and better."
"Yes, said Heyhey. "This is the crux of the matter."
"You're on about progress again; about stagnation,
aren't you?" asked Bee.
"Yes", said Heyhey thoughtfully, "So is the government.
"What will they make of this?" she asked.
"I don't know", he said, "But this could be a crisis.
When new purposes are needed nothing inspires more confidence than new people to
pursue them."
"And this is the old people?" she ventured.
"Precisely, he said, then added "Mugshots".
"Pardon?" she asked, puzzled.
"Mugshots", he repeated, his eyes showing amusement.
"You've been reading western books again", she accused.
"Mugshots", he laughed. "F.B.I. talk for pictures, press
the button Bee and we'll send 'em a picture. Dutifully, she did.
"Blow 'em up?" she asked.
"Got your own back there", he said. Putting the four
foot pictures between sheets of stiff thin chemical fibre, they left the centre.
This was the premier city, leading the way in
anti-pollution measures, so the air was clear and clean, as were the buildings
old and new, set out to give much space for gardens and wide pavements.
They were to give the photographs to Cea who would pass
them along to interested people in the government.
Bee thought her a nice old lady. She had old world
charm, wasn't brash, as Bee was inclined to be and most modern youngsters. She
had an air of sad tranquility, was very serious.
"Being born before the revolution probably made her that
way", said Heyhey. "They had a bad time
"But they had purpose, aim - a whole new world of ideas
to conquer as well as country", said Bee.
"You discontented Bee?" asked Heyhey.
"No", she said. "But it does get dull at times".
"You have your work", he said.
"Sterile.," she said.
"Sterile?" he echoed. "You can't say that. No modern
state can exist without forward planning, and our work on need estimation and
our fundamental research on the nature of change, especially in man, is real
exciting stuff."
"All in the air", she scoffed. "It's philosophy. I'm not
old enough to bother about it; I just want to live, excitingly".
Heyhey looked at her, very seriously. I didn't know you
felt like this," he said.
"Well," she said equally seriously, "You've been busy."
"So have you," he said, 'With me on the same projects."
"There is a difference," she said. "When I go home I
forget about work, you don't."
"Ideally there shouldn't be a difference," he said. "One
phase should blend with the other."
"Be inter-connected?" she put in.
"Don't she believe it?" he asked.
She pouted, a new phenomena he noted. "Yes," she said
discontentedly."But I don't feel it; my senses are not in the correlation."
"You're jaded Bee. What would you like to do tonight?
Anything you like, you choose."
"Nothing appeals," she said."I'm depressed."
"Then we'll stay in and talk it out," he said.
"Nothing to talk about," she answered.
"There must be," he insisted. "There is no effect
without a cause, work that out and we can find a cure."
"Let's get out," she said defiantly. "To the U.S.A. -
somewhere like that."
Heyhey was shocked. "To live't" he asked.
"Yes," she said emphatically.
"You don't know what you're saying," he told her."No
thing is predictable in these countries, anything can happen to you. You can be
mugged or murdered. Find yourself unemployed. In prison for no reason at all.
It's all dirt and filth."
"It's living," she replied. "Precisely what you said.
It's unpredictable day by day, hour by hour. When did I last know fear or
uncertainty? Relief or horror? All these are words to us. We never feel any of
the natural animal emotions."
"Who wants to?" he said.
"I do," she said hotly.
"That's regression," said Heyhey. "I never thought you
would put what is after all mere titillation before solid intellectual
satisfaction."
"I don't," she protested. "But this life is too
artificial, too regulated."
"You are arguing against civilization," he accused.
"I'm not," she replied. "Just too much of it."
"I don't know what to say," said Heyhey. "I thought we
were alright. Obviously we are not. You'll have to work it out for yourself. All
I can say is don't just suffer; at least use your training to solve your
problem. For me? I stay and carry on as I am."
They journeyed the rest of the way in silence. At the
super-stores, they bought their needs for the evening, on their salary not
needing to count cost.
Their home was a spacious, five roomed apartment, the
kitchen as modern as any in the west.
Beebe set the table whilst Heyhey cooked; neither ate
with much show of enjoyment.
Watching ballet on T.V. Beebe commented bitterly., "Why
no alternative? Why only one channel? They have 20 or more in the U.S.A."
Heyhey made no answers, but his enjoyment was spoiled.
He took a book and went to bed. Beebe came to see him, a little pensive, but the
bug had bitten too deep. Her mood was not a passing one. Looking back he
realised she had shown symptoms for some time now.
"We can take time off," he said. "Let's go to the
cottage in the forest. That's back to nature. Re-charge your batteries. Might
help you finalise your thoughts. Agreed?"
She nodded and got into bed beside him. "I'd be sorry to
lose you," he said simply, holding her close.
Zee looked at the picture dispassionately. "What's the
time scale?" he asked.
Dee scanned the typescript that Heyhey had given Cee
with the picture. "400 years," he said.
Zee looked disgusted. "Why do you bother me with this
sort of thing?" He handed Dee back the picture. "The business of government is
the present and foreseable future," he added. "And this is hardly in that
category."
Dee felt anger. "I am not alone among scientists who are
very concerned about this projection," he said.
"Well I'm not," said Zee, "But if it makes you happy
I'll pass it on to the highest authority, perhaps he'll show more interest."
"That's all I want," said Dee, handing back the
picture.
Zee, as the deputy in charge of science in the federal
government was answerable only to the president. He was surprised by his
reaction, for he laughed.
"Mr. President?" he questioned.
"I don't believe it," said the president.
"I never even thought about it," said Zee. "It seemed so
immaterial."
"I wouldn't say that," said the president."A bit
academic, yes -interesting if you do think about it. The colour? what is their
basis for that assumption?"
"The basis for it all,' said Zee, seems to be that the
tendency for all nations to live in similar conditions, food, housing, general
environment, will lead to a genetic similarity."
"Take longer than 400 years," said the president.
"They point to other factors," said Zee. "With the
breakdown of racial prejudice, they believe that there will be a complete
international integration."
"All races mix?" asked the president.
"Yes," said Zee.
"Like mixing paint," said the president. "I'd have
thought the colour would have come out like a light brown Windsor soup."
"Like you Zee, I believe it all is pointless. Now is not
the time to decide what mankind should look like. Some day perhaps. With a world
government; with all man organised under socialism: perhaps then that sort of
decision would be possible. Now? It's difficult to live in peace with your next
door neighbour without trying to get world accord on what the next generation of
humans should look like."
THE DRUNK |
|
He sat so, quite all alone,
within that smoke filled room, |
The only company was his own, |
Which gave him much more
gloom. |
He drank a glass of pain he
had brought from |
The battle that raged at the
bar; |
It quenched his thirst relaxed
his thoughts |
And made him just want more. |
|
The evil eyes surrounded him |
They scanned the rotting
flesh, |
Looking round ignoring them |
The drink rang through his
breath. |
Fumbling hands inside his coat
searching |
For a cigarette |
Just might provide an antidote
for fears |
He can not forget. |
|
So deep in drowning sleep he
fell |
As on the floor he lay |
The heavy boots just gave him
hell |
The numbness wears away. |
Two pick him up, the landlord
shouts |
They all agree, that's right. |
Losing another round in life's
endless bout |
He's thrown into the night. |
|
|
FOR BETTER OR FOR WORSE |
|
Whether it's her age |
or the change |
I don't know; |
But she does go on a bit. |
|
He's not been the same |
Since the kids left home; |
I suppose they'd had |
Enough of it. |
|
I sometimes wonder |
Whether he's found some chit |
That he stays out so late; |
He's such a hypocrite. |
|
Next year when I retire, |
She'll be all over me; |
I tell you straight |
She's no light weight. |
Whether it's his age, |
Or just a phase |
I don't know; |
But I wish he'd snap out of
it. |
THE DUTTONS OF MARTHA STREET
Jean Sutton
Once upon a time, there lived a nice family. At least
they were individually nice, but unfortunately they lived together, under the
same roof, and that was bad.
Mr. Dutton was a nice, kind man, who loved his family,
and hoped they loved him too. His motto was 'Absence makes the heart grow
fonder', so every night he went out. He had a keen competitive spirit. Every
night he entered a strange competition with a lot of other men, they drank glass
after glass of liquid, which rotted their innards, caused double vision, and
produced a visible effect on the stomach, and the end of the nose, but this was
living, and without this stimulation, Mr. Dutton was a sad, sad man.
Sometimes, Mr. Dutton stayed at home. This was a great
occasion, but bewildering, and the children rejoiced by being as noisy as
possible, and Mrs. Dutton nagged by asking him if he was enjoying his night in.
Occasionally there was great chaos, when Mr. Dutton shouted, and they all tried
to jump onto the shovel at once.
Mrs. Dutton was a normal? happily married woman with no
skin on her fingers - just bones. She wasn't born this way - it was a condition
produced with hard work, and she was always telling her family this. Mrs. Dutton
suffered from ill-health. Three or four times a day she felt sick, but,
belonging to a large family, she did not have to suffer alone, so she told them
all about it.
The Dutton children were normal children. At
times-nice-nasty-loving-hateful-truthful-selfish-helpful and sneaky, etc. As Mr.
and Mrs. Dutton also shared these characteristics it was one big, happy family,
well interesting anyway. We will pick one of these traits at random - sneaky.
When Mr. Dutton was sneaky, he would squeeze behind the wardrobe to count all
his money, and could be heard laughing to himself. When Mrs. Dutton was sneaky,
she would hide behind the washer scoffing all the fresh cream.
The eldest Dutton child was light-fingered, and was apt
to swipe every comb and pen in sight, and also jump the queue in the fortnight
waiting list for baths. The eldest boy liked to sneak off whenever there was a
job to be done. He is allergic to work and the mention of a shovel of coal
causes acute hysteria.
The three youngest indulge in group sneakiness, carried
out mostly at night, one instance being reading Mr. and Mrs. Dutton's love
letters. This pastime also induced hysterics. As you can see they are a very
hysterical family, perhaps inherited from Mrs. Dutton who sometimes likes to
throw a cup or a plate on to the floor, which she immediately sweeps up, showing
an industrious and tidy streak, also a twisted enjoyment of self inflicted
punishment. One night, Mrs. Dutton was left completely alone in the house. This
was by way of a treat for her shattered nerves. Her system couldn't take the
unusual silence, and she was almost driven mad.
Next day the family made it up to her, and gave her
another treat. They took her for a nice drive in a car. They drove her to
Winwick.
Which proved Mrs. Dutton a woman of great insight.
NEXT TIME |
A.M. Horne |
|
Perhaps the next time or the
next or the next |
But not now, no not now, |
The face of death is an image, |
And the image only dots |
Thousands of bloody silly dots |
A statistical droll from
eloquent lips, |
An obscenity on an Oxfam
poster, |
Placards grasped by pimples
and hair |
The tears of the world
trickling over a screen, |
An illusionary glimpse of
somewhere else. |
It's not mine, I can switch
off, |
In fact I usually do. |
|
|
PABLO NERUDA
|
Ian E. Reed |
|
September. |
A man gazed |
through his window, |
from his heart. |
Gazed across his land |
and saw his people |
Of whom his great heart |
embraced, |
Crying out in agony. |
Murder walked among them, |
Death stalked the |
hills and plains |
And left its carnage |
at his door, |
In his heart, |
cutting slices |
From his vast soul, |
the soul of Chile. |
|
September. |
the carabineros |
Smashed down his door, |
tore up his walls |
And floor. |
searching for truth |
Among the rubble |
of his home |
They tore and hacked, |
Searching for the sun, |
the wind across |
The plains, the cry |
of the onion seller, |
The sea and the people |
of the market. |
This they heaped up |
and fired, |
Destroyed, stamped upon |
this very soul |
the soul of Chile |
|
September. |
A plain coffin |
Lay amidst the rubble |
of San Cristobal hill, |
Lay among the |
smouldering remains |
Of his life's work |
lay among the debris |
Of his country. |
His great heart had burst |
And the very Earth |
wept and reeled in anger. |
The sky piled high its clouds |
and rolled them |
Across the oceans, |
bearing the grief |
Of a nation, of a soul, |
the soul of Chile. |
|
September. |
A small crowd |
Bore his remains |
through the smashed capital, |
At each step |
the crowd grew, |
The soul was reborn |
shadows emerged from |
Darkened doors, |
from bloodstained alleys. |
Shadows emerged |
and became human. |
The crowd grew |
to become a giant |
Striding undefeatable, |
unquenchable, before the
guns, |
Before the barrels |
of the killers, |
Who grew afraid and silent |
overwhelmed by this giant, |
This unbroken soul |
the soul of Chile. |
|
September. |
A small voice |
Within this giant cried, |
"Neruda is with us," |
Companero Pablo Neruda |
presente!" |
And as a spreading fire |
the cry echoed |
From a thousand lungs |
and pounded against |
The walls of the City, |
against the barrels |
Of the killers' guns, |
and they read his words |
Over the sleeping poet, |
they read of the wind, |
Of the sun, and of freedom, |
they read of the market |
And the mountains |
and of the soul, |
the soul of Chile. |
|
September. |
They killed a man |
And a giant was born, |
whose words cleave. |
Open the sky and the Earth. |
and are spoken from |
A million lips, |
a million hearts, |
A battle hymn of freedom. |
His murderers will die |
And their bones will turn |
into dust and slime, |
But the flower they plucked |
will grow into a garden |
And the air will hang heavy |
with the sweet scent of
freedom, |
And his soul |
will be handed on |
As a legacy, |
The soul of Chile. |
ALL AWRY IN PARADISE
Winifred Froom
THE LONG NARROW AISLES MAKE ME THINK OF CATHEDRALS. Of
course I know they are not, but there is the same absent look on the faces of
the people, seeking for something they cannot see. Sweet music seeps from behind
the towers of tins, like syrup from one that has lost its lid. From nooks and
crannies, counters and shelves, even from the deep freeze it comes, hypnotising,
paralysing, unless it is the martial kind inviting the customer to march, to
waltz, to slide, or maybe drag the length of the avenue.
There's the ritual too.
Claim your wire basket from the portal, unless you have
a toddler when you claim a kind of pram. Stroll between the towers of tins,
peering from one pile to another. Stewed steak claims to give you satisfaction,
detergents delivery from soul-destroying labour and monotony. All the joy of
life, and ebullience of good health is ground up with the cereals. The sunbeams
have been captured, fresh air harnessed, it is all here waiting for you. And it
is instant, instant, now, at once, with no waiting
Somewhere, it is said, the hairs of your head are
numbered, no sparrow falls to the ground unnoticed. Neither have your pets been
overlooked on these terraces. Cats, dogs, goldfish or budgies are all remembered
in these bright tins, where the smell of sea and farmyard are concentrated. No
more hunting, no more grinding, no more crunching, everything is instant.
In the distance sit the cashiers, like goddesses, or
perhaps priestesses at the high altar. The catechism is tapped out on their
little machines. While you wait for the benediction on your perambulations up
and down the aisles, the toddlers explore the display of lollipops and candies,
thoughtfully displayed by the tills. No, nobody has been overlooked. The
disciples of Market Research have been vigilant, the apostles of sales
promotions and projects untiring.
But the queues, with their trolleys and baskets look
neither serene nor satisfied. Seek and you shall find, come unto me all you that
are heavy laden ... The labelled life around no longer stimulates, nor soothes
They have a faraway look in their eyes. Surely there is more than a jar of
cranberry sauce (2p off) to live for?
The soft sweet music is soporific, the cathedral changes
into a supermarket, the ritual is concluded. The bill is paid.
THE
SHIPYARD CRANES |
A.M. Horne |
|
Great set-squares of angled
steel, |
Tall, grey, vertical, moving
upwards and outwards. |
Isometric pre-planned zig-zags, |
Set by the wind to crisp
alignment. |
They follow you everywhere, |
Pagan idols dominating the
skyline |
A symbol handed from father to
son, |
Of an almost certain future, |
To all the gangly lads kicking
the ball around a secondary modern, |
But the image is so deftly
printed that only the subconscious cricks |
its neck. |
|
|
|
CHANGING |
Pat Sentinella |
|
The face of the City,
unsmiling, |
Where rows of houses wait for
death |
Behind screens of corrugated
iron. |
|
Windows are broken and blind, |
The bells are dumb. |
Distempered walls perspire and
plaster cracks. |
|
The gardens are wasting. |
The people who remain |
Still boil their water on the
landing |
Watching for some other change |
Tonight or Tomorrow. |
|
A VERY SPECIAL BREW
Ken Lilley
It was one of those bitterly cold hoary frosted mornins
doon in the bowels of the vessel which waited alongside the quay ready for
fitting out. The Tyneside fog even penetrated down into the yet skeleton-frazed
engine room skylight; smothering everything in its downward path to the very
engine room pad floor plates.
The gaunt rusty frost-coated bulkheads swept upwards
into the mist in answer to querulous gaze of the beholder like some ghostly
cathedral. The rather sombre scene was accompanied by the distant intermittent
chorus of Souter Point fog-horn blowing its warning to any errant off-course
vessels.
Almost as the half past sivvin buzzer blew, the ladder
near me started to shudder merrily as the various trades started to descend to
where I awaited shivering with cold, waiting for the gaffer to allot the day
work. Soon, a pair of heavy boots reached eye level. I was greeted by a mature
stubble faced worker in greasy overalls, and a heavily oiled cap... "Mornin
Hinney, Rev yee jest started?"
"Aye," I rejoined.
"Rev yee not gorrah drink of tea?"
"Nor, not yit."
"Weel lad, warm yersell an git a drink oot oh that flask
ower there." He pointed and then the grubby-faced friendly man waved cheerily
and moved off into the mist of the engine room.
The hot, warm, sweet tea which I poured out of the flask
which stood on a pedestal near me tasted like refreshing nectar. The hot liquid
momentarily dispelled the icy gloom, at least from within to warm the very
crutch of me overalls.
"Argh yee the new lad what started this mornin?" A heavy
authoritative voice bellowed out from my rear. I turned, replacing the drained
cup upon the flask.
"Aye, ah wus just warmin mesell up till the gaffer
comes."
"Aye ah can see that," snarled the man cynically
(obviously he was the gaffer). I was also aware of a number of nonchalant cheery
faces chuckling sideways at the impromptu confrontation.
"Weel lad, when ye've satisfied yersell wif mah
flask..." He snatched it up an placed it in his pocket. "Git yer tools and join
that aud feller ower thor. He'll put yer reet."
My mate was the man who proffered that welcome cup of
tea that mornin. He slapped me on the back and grinned cheerfully.
"Did yee injoy it lad?" he chuckled.
I nodded. I had to admit that was a very special brew.
WRITTEN ON INTERNATIONAL WOMEN'S DAY, MARCH 8th 1973 |
Ruth Frow |
|
A woman sits weeping for her
dying babe; |
Oh! sister mine, we sit and
weep with you! |
What matter if the babe be
black or white? |
Each woman's sorrow is our
sorrow too. |
A woman works from morn till
late at night |
Tilling the soil and working
with her man. |
Oh, sister mine we work with
you each day. |
We cannot do much - but our
caring can! |
|
A woman stands and holds
herself erect, |
Accepting life, but not
accepting shame. |
The life she lives will be a
life of pride. |
Oh sister mine, we join you in
your aim. |
Out of the waste and hunger,
women fashion joy. |
Women determine to re-build
their lives, |
To banish war and poverty and
want, |
To live as friends, as mothers
and as wives. |
|
We join you, sisters, wherever
you may be; |
Our children join with yours
and never cease |
To raise the standards of true
liberty, |
When women everywhere can live
in peace. |
|
|
TONIGHT WE WILL SEE THE DREAM-DRENCHED DRUNKS |
Colin Frame |
|
Tonight we will see the
dream-drenched drunks |
The subliminal wharf side
whore |
Dressed in crimplene and
plastic |
Bright red, purple, and yellow |
Peddling herself for a pound |
Dragged aboard, wiped by a
hundred salt-caked palms |
Heaving good with gin and
sighs and vomit. |
|
And I ask questions |
Questions like what and why |
And wash in lavender water |
And am disgusted by the
coarse-cloth of the towel |
Preferring the membrane of a
flower. |
|
|
ROSSENDALE WEAVERS UNION WOMEN MEMBERS |
Jim Garnett |
|
When you can't get through
your work, |
And you feel you'll go
berserk, |
Report it to your Union Rep. |
She will guide you, step by
step. |
Remember then that old
refrain, |
Unions on the job again. |
|
When the cost of living's
high, |
Goods so dear, you cannot buy. |
Your earnings go just like a
flash |
We fight to get you some more
cash. |
Remember then that old adage, |
Thank your union for your
wage. |
I'm in it now o'er sixty years |
A union card that's always
clear, |
I've seen a lot of ups and
downs, |
Worked with men of good renown |
Our Union then was run by men, |
But how far back, I can't say
when. |
But women now are to the fore |
And things are not the same as
yore. |
|
They go to classes in rotation |
This improves their education, |
When at the meetings, on their
feet, |
They've got their arguments
complete. |
|
They're not afraid to give
expression. |
They've rid themself of self
depression. |
I love to see them show their
ego, |
I say, more power to their
elbow. |
|
They show us men a thing or
two, |
Things we thought they'd never
do. |
So to our local Union lasses, |
Let's give our praise, and
raise our glasses. |
|
|
GOD CAN'T CARE, REALLY
|
Bob Dixon |
|
God was in the garden |
Blowing on a rose, |
Jill was on the garden path |
Hanging out the clothes |
when along came death |
And turned up her toes. |
|
|
DEATH-BED |
Bob Dixon |
|
We lied to him about getting
better. |
Daddy, to humour us, feigned
belief. |
THIS MAN CAN BE SUCCESSFUL AND JUST MAYBE THE CROWD IS LETTIN' HIM, NOT
FORGETTING WE ARE PART OF THE CROWD THAT HAVE BECOME WORDS ON THIS PAGE.
M.G. Askell
What makes for communication, communication that has no
necessity, communication that when completed leaves people wondering why, or
maybe just me, wondering; yet sensing this particular human quality.
It is possible to create atmosphere, to arrange an event
towards a certain ending, known only to me the narrator; so we are warned.
Central to this arrangement of words are:
A rope strop lying tangled
on a concrete oil stained floor, with several strands broken;
noise. An omission.
be careful situations are always in the process of
becoming other situations. Those marks on the wall have a fascination, my eyes
drift along each day, nothing registering particularly, until I reach this
section and then the wall is no longer a wall. The surface, the marks, the
colour, the distance between myself and this section of wall, this narrow funnel
of space has become a journey between my imagination and my reason. Why this
piece of wall? Why those marks? What particular problems of technique are
involved in reproducing this encounter, in understanding; how much of the
surrounding area is influencing ... "Hey! What about the lifting gear in this
place; I've just picked up a rope strop, and we are short on rope strops, and
some of the strands are cut through." .... directing attention towards this
small section
"Well tell the foreman; if it's dangerous, we can't use
it."
"I've always said we haven't enough rope strops, and
besides they should have labels on them, stamped up, giving the safe lifting
load an' that."
"O.K. destroy it. That's the usual practice; or someone
in a hurry may not notice it, and we could have an accident if it breaks on the
job."
"If I do that, I won't be able to lift my job."
"That's right! We'll get rope strops quick enough then."
"Well? What are you going to do?"
"I just said, for fucks sake! Anyhow it will make a
change for that machine of yours to be switched off, the row it makes."
An outside influence is now affecting this
communication; the words on this will name such an influence - a) experience, b)
history, c) conflict of interests, d) bloody-mindedness.
"I ain't gonna use it."
"Right."
Pure black, glistening, the warmth, tenderness, that
rich flood of life setting fire to a staircase of colours.
"Well what are you going to do?"
Metal coming away from the rim of the shell, feed just
right, sometimes everything so easy ... so bloody easy
"Well ?"
"What?"
"What are we gonna do about it; where are you going?
Hey!"
It's soaked in oil, tough too, I thought my knife was
sharp...
"You've just cut my strop in half. Now I can't lift my
job!"
"That's right."
Look from this page, push the page away, as far as is
necessary for the words to go out of focus; look towards the window, beyond its
frame, another view, in the last few seconds it has changed, is changing, what
are you thinking?
"There was no need to do that! I can't get on with my
job now. You're mad!"
"What's going on down there between them two?"
"I dunno."
"Well it's owt to do with us anyways."
"Yeah, about that Cortina you had, how many..."
Moving away from the City Centre, no longer travelling
within these confines, or absorbed into its regulations, deliberately,
consciously and subconsciously pushing out from the hub, through all levels to
its rim. With this momentum the City highways are abstracted; re-lit, intensely,
such light is informing, demanding of whom? The photographer, the painter, the
neon minded commercialiser, the inhabitants, whose unquestioning industry oil
this City's generators. Such light demands attention, its speed forces inwards,
sweeps towards the hub continually; burning the edges of buildings against an
unmoving sky, exposing the armour that relentlessly crawls, howling, snapping,
devouring along these thoroughfares; passing the street of the house of
anarchists, night ideas and dog days. Silhouetting those inhabitants, queuing
six deep outside the palace for bingo, bland faces, their artificial adornment
the chain mail chance of a jackpot. Sirens ebb and flow, a million voices
repeating, nothing ... nothing ... alright alright. This light informs by the
sharpness in the edges it infinitely re-exposes. What are you thinking? The
light also shines on her hair.
"I'm going to tell him, that you've cut the strop in
half."
"That's right! Go ahead, you just tell him I cut the
bloody strop in half."
"Right I will."
When a person walks away, intent on purpose that is out
of sight (site), in receding becomes the backcloth of an everchanging situation,
the eyes that follow such purpose, whose origins are incomprehensible within the
time allowed by action; have, even in anger in bitterness or hopelessness, a
flicker from evolutionary understanding, of remorse and regret. The emotional
fire is tempered by sadness, perhaps at the temporary lose of unity.
"What's going on with you two?"
"The same old story, not enough gear and we end up
arguing with each other, for all the wrong reasons."
"Yeah, all they care about is getting the job done in
the least possible time at the least possible expense. Ay, what are you doing
dinner time? Going over the park for a game of football; most of us are except,
(this exception could be ... you ... me ... sometimes us?) who is going into
town but he reckons he may be back in time. Ay! never mind, it probably won't
happen."
"Just maybe you're right, but it won't be for want of
trying."
"What."
"Where's that small crowbar?"
"Dunno I ain't seen it lately."
just then, figures on
a far golden shore
touch hands, fingertips first,
ice petals tumble through sun spray,
each fresh breeze tenderly tells
of islands that dwelt in the past.
No sound from smiling minds;
the sand moved gently as a rhythm suspended.
In darkness deep of ocean's floor
intangible something, moved for the first time.
"I've seen him, he said you were wrong to cut that strop
in half."
"Oh yeah."
"Yeah, he says that what we should have done was to give
the strop to him and he would have cut it in half. He's going to see if we can
borrow some from the other shop; in the meantime I've got to hang about till he
gets some. You know what; I was having a look at my mortgage papers the other
night, I've increased the payments, what with all this overtime an' that."
POETRY AND THE CLASS
STRUGGLE (I) |
John Salway |
|
Wield your words like axes |
Cut from the nude rock |
Knives lathed from the
creeping fronds |
Of steel |
Entrenched round your bursting
hearts |
|
In the twilight world of
factories |
We bring your corroding
flowers |
And rhythms of bit and brace |
|
We bring you edged poetry |
To dissect your way |
Through this insane and
rotting jungle. |
|
Everything should be melted
down |
Everything can be used. |
|
We have taken the drooling
words |
Which drip |
From the steaming swamps |
Of supermarkets |
|
We have taken |
The cries of despair |
Which eddy and swirl |
From somebody adrift |
On his soul |
Like an ark. |
|
We have alloyed |
The insidious grit |
Which grows on slagheaps |
|
With suffering and hope |
With the laser of your will |
|
We would forge you |
Tongues of fire. |
|
|
WE CAME CRYING
HITHER |
Sue Cole |
|
We came crying hither |
We danced from the waterfall |
Over the plateau to the tear |
We absorbed the moonbeams |
Now |
stranded... |
|
... Barren - |
We starved our own intellect |
We took fruit from the tree |
And made it gold |
We took warmth from the fire |
And made it cold |
|
We made it cold |
THE CLOTHES PEG
Gareth Thomas
A church clock struck three in the morning. Four dossers
nodded and snored, sat in a tight circle around a dimly smouldering brazier. The
fifth was awake and listening to the night. "That clock's fast," he mused,
scratching at an itch beneath his faded once fawn-coloured duffle coat.
He looked at the brazier, the dull red glow a poor
answer to the moon's bright message. Crossing his arms over his ribs, he rubbed
his wheezing chest and arose from the blue plastic milk crate which served him
for a seat. Turning slowly from the weak warmth of the brazier, shuffling on old
unsteady legs - the same legs that had marched through France in his war-torn
youth - he searched the rubbish duwp for more firewood.
A mouse crawled out from the tattered upholstery of a
rusty car door. It crawled around the bent window frame, where a few chunks of
laminated glass still stubbornly clung, and raised its whiskers to the stars.
In vain, the old tramp scanned the rubble, old tin cans,
bricks, bottles and car tyres, discarded polythene kitchenware, and an old
mattress which sprouted a forest of springs. No more wood on the dump. If only
they had been more thoughtful when the night was young and the fire was bright.
Now the embers that remained were poor armour against the frosty attack, the
cold before the dawn.
He saw the mouse. A glint came into his eye, and he
stooped to grab the nearest object to his feet. It was a clothes peg. The cold
stiff fingers firmly gripped the missile and his arm drew back. He took aim,
frowned, then slowly lowered his arm and looked at the clothes peg. Wood!
Firewood.
He walked back to the brazier and ceremoniously dropped
the new fuel into the embers. Sitting down once again on the milk crate, he
studied the clothes peg and waited. A small flame began to lick around the peg,
first green, then blue, finally yellow and bright.
The other four looked up from their drowsy shoulders and
greeted the puny phoenix. Soon, five pairs of hands were reaching into the
brazier and gathering the heat from the burning peg.
A second church clock struck three in the morning, and a
barely audible mutter came from the hunched, duffle-coated figure. "Or maybe
it's that one that's slow ..."
All five warmed their hands until the peg's flame died,
and only a red hot steel spring-clip remained. Four heads nodded a salute to the
remaining embers, nodded thanks to the bringer-of-firewood, and nodded back to
sleep. The fifth remained awake and thinking in the night. "They could both be
wrong.
He picked up an empty wine bottle lying by the side of
the crate, and raised it to see if any dregs remained. Raising the bottle to his
bearded mouth, he held it vertically and a single droplet of red liquid ran down
the glass and into his throat.
"Anyway - they couldn't both be right," he decided,
conclusively. Satisfied with this answer, he smiled, lobbed the bottle in the
general direction of the mouse, spat into the embers and dozed off.
He had fought for this freedom in two world wars.
EYES |
Bob Dixon |
|
I watch the children in the
park |
From their eyes, |
My unborn children cry to me. |
|
The demonstrators throng the
street. |
From their eyes, |
There shines a world that is
to be. |
|
|
YOU SEE ME SMILING?
|
David Tatford |
|
Good evening one and all, |
This is your plastic president |
Speaking. |
You see me smiling? |
A greasepaint image |
My witch doctor made for me, |
The magic media man. |
|
This is your plastic president |
Talking |
In words of simple syllables |
Rolling |
From a three-forked tongue. |
I'm a nice man really. |
The burning babies are a
dream, |
And anyway |
They're better dead than red, |
(though they'll never know |
The service I did them |
Unless they have T.V. |
In heaven.) |
|
This is your plastic president |
Grinning |
In skeleton likeness |
Of those I killed. |
|
You see me weeping? |
The tears are glycerine, |
Sweet as sugar |
For you all to taste. |
My grief is real - |
I grieve for you, |
Poor fools. |
|
VIGILANTE |
John Salway |
|
Keeping awake |
When cities yawn |
And grope for heaven |
|
Keeping one eye |
Like a chip of marble |
As the world seethes |
|
And |
Trembling |
Like a seismograph |
|
Keeping history |
Like a hound |
On a leash |
|
But |
|
Drumming the wild pulse |
Of its rage |
|
And |
|
Tempering the blossoming ache |
|
Of its heart. |
|
|
|
|
NICKNAME ON
A WAR MEMORIAL |
Rose Friedman |
(a one minute play for one voice) |
|
It was a change of address |
Brought a new morning' s walk |
To reach my train |
New roads, new gates, new
trees |
To learn |
|
And a neat-small chapel |
Whose glorious dead |
- these lads once prayed here, |
Bright gold on sombre black, |
Concise and clear |
As an open book - |
Standing quietly by, |
Became my new morning's
landmark. |
Habit dulls even the desire to
sigh. |
|
My stone heart lies in a
stonewall bed |
That much for your glorious
dead |
|
Until, one day, in sunshine?
or in rain, |
Who cares? |
My glance strayed, chanced
upon a name |
Before unnoticed, |
Caught me unawares. |
Tom, it was a nickname - sweet
and crisp |
As a mother's fleeting kiss - |
Put paid to my ostrich sleep. |
Tom, soft and round as a
sweetheart's lingering caress |
Ah - that went deep. |
|
Once was a baby |
Tom Tom the piper's son |
Loved his mum and a hot cross
bun |
|
That's Tom. That was Tom. |
|
Once was a lad |
Tom his fifteenth birthday
reached |
Thought about girls as the
parson preached. |
That's Tom. That was Tom. |
|
Tom tinker tailor soldier
sailor |
Tom butcher baker and
undertaker |
Why that's Tom |
|
A million lads have gone that
way |
And a million more will go
they say |
|
So glorious lad Tom |
Gloriously dead Tom |
You rang the bell to blast the
wall |
You blast the wall a million
ways. |
|
Tadpoles now to tear at my
eyes |
Flagpoles now to flay my flesh |
Now the potholes leer and yawn |
Dangerous and desolate |
Deserted by Tom. |
CITY BOY/BROWN BABY
John Gowling
Between the cast-iron pillars of the railway viaducts I
go, searching for a love, looking for a love. Past the scrap-metal yards, hedged
high with rusty motor bodies, there I go, searching for a love. In between the
sewerage aqueducts that span the boneyard valleys and canals, there I go
searching for a love, looking for a love. Mountain climbing on the slopes of ash
and scree, could this be you and me? Could it be? In between the railway wagons
and the coal marshalling yards, there I go, there I go. Some day soon you'll be
where I go but when and where and who will you be? and who will you be? Do you
think that love was meant to penetrate the traffic gantries and signal
stanchions above the steps of the subways, and if it was, how would we know?
Beyond the kiosk selling cigarettes I wait, up abeam the iron bridge I hope you
won't be late when you walk by. On the ferry, side stepping with the slurry
barge I tend to think I stand a chance, a quick romance with you on the fire
escape would do me fine.
Their old world is slowly coming down, but mother of
mine, don't you know that it needs a little more than poured concrete and a few
flowers to let love grow. The housing department won't rehouse the lodgers and
they evict those that stay. They fire condemned blocks where families still
live. What do they care when Urban Renewal means another tenement block to last
another 60 years? What do they care? Vincinette's baby looks up from the pram to
read the spray-paint on the stairwell wall. Vincinette looks down the cold
clinical corridor which says: Your mother is mad, we've taken her in; your
father is tired he wants to go home to Barbados. Every day too, she prays to the
Father that her trails get harder so she will go the Heaven, midnight prayers
deny her the goodnight kiss she so desperately needs. Her baby was not conceived
in the art-museum or the movie magazine. Not in the park or the public
cemetery, but on a mattress, away on the roof, beneath the stars, to the
marshalling freight, the shunting engines and the traffic below. An apprentice's
wage bypassed the gas and electricity, replaced broken glass with cardboard,
rode a bike without a licence, and paid no rent
I pull out a screwed up note, from my pocket, I didn't
care to send:
I don't want a black or a communist, I have given all
this for you, who are neither. I am in love with you and that over-rules
everything else. Because I never found a black or a communist but I found you.
I've tried to tell you that it's you I want, and you encouraged this, you made
this happen. Tonight you didn't take me to Rigby's or some white joint croastown.
You asked to meet me in O'Connors then suggested the Masonic or the Somalie
where I looked at no one there but you, and showed everyone there how much I
loved you. How can you be so cruel to say that it couldn't work out, does it not
seem strong to you that I can still love and understand you above this and
constantly I've been looking for you and trying to find you and know every
little thing about you. I made the effort, I don't believe one person can ever
make again in one lifetime, only to find you now uncompromising. And you flung
in my face about being your child, and being black and a communist. Can you not
conceive that there are blacks who are not for me, and blacks who don't like me,
and whites who are racist, and all people who don't like communists, and people
that don't like me? Don't you think I don't know? Why did you do this to me?
What did you hope to use me for? After I loved you and dreamt about being with
you all times. I still want that. I never met a communist or black who I loved,
but I met and loved and lay with you.
Silently I walk the city streets. It is 4 a.m. and not
my town. I wake at 6 a.m. in a foreign apartment, put the first comb of the day
through my hair and make to leave.
AWAKENING |
Betty Crawford |
|
Swaggering forth from the
stronghold of Capital, stepping in time to the Saint Louis Blues, |
Celluloid heroes, with chewing
gum and crew cuts, denizens of dollardom how could they lose, |
Aircraft and troopships,
goodbye hugs and kisses, 'Gotta little job to do for Uncle Sam, |
Don't cha worry Honey, we'll
sort it out in no time, bring you back a souvenir from Viet-nam. |
Now you're in the war zone,
get to know your buddies, black men, white men, Gentiles and Jews. |
War seems never-ending, weary
for a furlough, discussing things together makes you change your
views |
What's this goddam war about?
and the folks we're fighting, Christ, won't they ever think of
giving in, |
Gotta hand it to them, they're
costing us a fortune; Dad's letter's asking 'Do we think we're gonna
win? |
Gues I needn't answer,
leastways in a letter, I'll tell him all about it when he meets me
off the plan. |
I'm lucky to be homeward
bound, my wounds will heal real soon, but constantly my conscience
says, I won't erase the |
stain |
Of unrelenting slaughter, of
rape and torture too. |
Yet midst the carnage, they
were unconquerable, I'll give credit, where it's due. |
There's a day of reckoning
coming, for their years of toil and pain, |
For the tons of bombs and
napalm, showering genocidal rain, Inflicted by us, on a people, who
only dared to say, WE will choose our way of life, not the U.S.A. |
It shames me to admit it, but
we've been kidded all along, believing that we, are the land of the
free, and everyone else is wrong. |
When the verdict of history's
given, the reason will show up real plain, |
The White House sacrificed us
all, for greed and political gain, |
A stake in Indo-China, a base
is what it sought, if Almight Dollars cannot buy, then battles must
be fought, |
Prop up reaction's puppet, 'To
Hell', they said, 'with the cost' |
It matters naught to those in
power, how many lives are lost. |
Then the voice of protest
rises, ringing through the land, 'Bring the boys home' it says, this
is our demand, |
The Monster in the White House
smirks, pretending to pay you heed, for another term as President,
your vote is what he'll need |
Sure, he'll pull the G.I.s
out, if that is your instruction, but his weapons still will carry
on the death and the destruction. |
Are you lost as a nation to
Capital's spell? I ask that question, for I have seen Hell. |
WIN WITH LABOUR!
Jone o'Broonlea
'Colours o' this rosette
Tell ruefu' tale o' ther need o' us:
Red's for us - an' yeller for ' leaders:
We'st ha' to larn 'em yet!
A BOOK AT BEDTIME
Mick Jenkins
Bill Baker was a miner working at Rufford Colliery in
Nottinghamshire. He was elected the Union Branch President, and re-elected each
following year, and in 1945 was re-elected unopposed. He was elected Workman's
Inspector at the pit. He was an authority on mining safety. His work on mining
safety was known throughout the area. Like many other militants he was
victimised many times following 1926. Later in the fifties he was elected full
time Miners Agent for the Nottinghamshire Area of the National Union of
Mineworkers.
Bill was a friendly type of person, always had something
to say. He was deeply immersed in the problems of the mining industry and the
struggle to lift up the standards of the miners, to improve their working
conditions. An idea as to the type of fellow he was can be gleaned from an
incident that occurred whilst he was working at Ruf ford Colliery. One day he
came to see me at the Party Office. It was late afternoon, he had worked the
morning shift. We talked - I don't remember about what - and when it was obvious
we had finished he said to me, "Got anything good to read?" I said, "What do you
want to read?" As 'it' was getting near to teatime, and I was going home, I
asked him to come home with me, have a cup of tea, and we'd have a look over my
book shelves.
On the walk home we talked about books, what he had
recently read, what I had, the difficulty of finding time to read whilst doing
an arduous day's work, attending meetings, doing Party work. We also compared
notes on interesting books we had read. In the course of this latter exchange, I
asked him if he had read "Germinal" by Emil Zola. He said he hadn't, but knew
about it, and wanted to read it. I said, "Right, that's one book you've
borrowed." We arrived home, had a cup of tea, looked through my bookshelves, and
off he went with two books under his arm.
He made his way back to his council estate house in
Mansfield, had a meal, slept for an hour or so, washed and went to the 'local'
for a pint. Came back home about half nine and began collecting his things for
the shift the following morning; he had a sandwich and a pot of tea and was
about to make his way upstairs to bed when he remembered the books. "Where did I
put those books I brought home?' to as many of his six children as were present.
They were produced, and with "I'll just have a glance at them" he sat on the
sofa in front of the fire.
Naturally, it was "Germinal" that he opened up, flicked
through the pages, read an odd sentence or two thinking at the same time as he
turned back to the front page "Going to take a long time to reads" He glanced at
the clock on the mantlepiece and decided he would pinch half an hour off his
sleep - but "can't afford to lose a shift". The half hour stretched into an
hour, and then two hours. At 1 a.m., he had now been reading for about three
hours, he decided he would finish that chapter and go to bed -he had to be up
around 5 a.m. he had managed shifts before on four hours sleep. At 7.30 in the
morning one of his children woke him from deep slumber on the sofa in front of a
dead fire. He finished "Germinal" that day. Next time we met he greeted me with
"Your book cost me a bloody shift!"
RUE
Jone o' Broonlea
Cockchif ft at neet-fa',
pisspreawd coom morn,
'Days hoo's nooan reet, tho',
mon tholes forlorn.
AUGUST 1945
|
Crispin |
|
The mushroom cloud |
Herald of terrible death, |
Had it. seeded beginning |
In sources of new life. |
Hiroshima and Nagasaki, |
Names now synonymous |
With hideous and suddem
holocaust, |
First saw it. shape. |
But still it rises, |
Seen in Nevada and Sahara, |
Spreading its blasting flame |
Promise of new destruction. |
To meet its challenge, |
The tide of Easter marchers |
From Aldermaston to Washington |
Pledged to build not bomb. |
|
Politicians with their "power" |
Need to remember its source. |
Generals can "command", |
But both depend on "people". |
A bomb to H. |
Concerns me ... you ... and
us. |
We can decide, Life or Death, |
And end the mushroom cloud. |
|
|
BOYS AND GIRLS COME OUT TO PLAY |
C. James Mac Veigh |
|
Trouble with the drunken boy, |
Propped up against the wall; |
Trouble with the restless girl |
Who hears the money call. |
|
Trouble with delinquent boys |
Who want it all, not some. |
Trouble with the slum-grown
girls |
Who make the clients come. |
|
For angry boys can stab and
kick |
To snatch at what is theirs, |
And sweet-life girls who'll
turn a trick |
Have thorns for pubic hairs. |
|
|
SELF-MADE MAN |
John Salway |
|
I want to be free |
He said |
|
So he tore his |
Ancestral roots |
From the earth |
|
And |
As the tolling bells |
Filled out the acres |
Of his home |
He tossed himself |
|
Onto the oceans |
At night |
His dreams rose and fell |
On currents of gold and silver |
|
With Scylla crooning |
He circumnavigated the world |
|
As his sails flew |
As his blood pounded like a
piston |
In his wake |
He grew |
An archipelago of Edens |
|
He trawled |
For new worlds |
And the hearts of men |
|
His eyes glittering in the
darkness |
His coiled back crowned with
coral |
He snaked onwards |
Into the choked undergrowth |
Of his fantasies |
|
And the stirring |
Of the darkening sea. |
|
|
THE
WINTER'S BEACH |
A.M. Horne |
|
Glistening with the memory of
a recent time, |
Reflecting the cold blue
winter's sky, |
A deserted forum of summer
pleasure. |
Buckets, spades, freckles and
sunburn, |
Forgotten behind frosty
windows |
And tasting the salt from icy
tears, |
Wrapped in the same wind as
the moving sand, |
I tread the beach listening
and looking |
Throwing a pebble and taking a
sea shell |
One set of footprints on a
newly scrubbed floor, |
And although freezing feet
stamp urging me to the bus-stop |
I promise myself another
visit. |
SURGEON WHO LOST SON
INDICTS THE KILLERS
Patrick Lane
ASSASSINS HAVE 'CENTRAL
GUIDING HAND'
'Come let us make a muster
speedily: Doomsday is near; die all Die merrily."
The words of Hotspur in "Henry IV" are relevant to
Northern Ireland today, although there is a total absence of any cause for
merriment.
The words have their origin in a civil war power
struggle, and the troubles here are basically about the maintenance of that same
power and the overthrow of forces which tend to erode it.
In a previous paper I attempted to show where this power
resides and reiterate briefly that it resides with the executive in England and
not with the Legislature at Westminster. The latter has control of the laws and
social changes and the general running of the national economy (the housekeeping
budget) but the executive controls the power (the bank balance).
The course of history in these islands shows a central
and continuous effort directed to maintenance of power and this is what
rebellions, wars and diplomacy have been all about. From the nature of power,
moral considerations do not enter its acquisition or maintenance. Diplomacy or
ruthlessness, are used as the occasion demands, if they are deemed to be the
appropriate weapon. This point is not made by way of condemnation specifically
of British power. The argument is applicable to all power blocks and their
struggle for continuance.
There is no reason to think that "enlightenment" or a
change of heart have suddenly come about at any time during this century and
that the theme mentioned above does not still run through contemporary affairs.
Indeed, it would appear that from the point of view of the ordinary inhabitant
of the globe, the world is a much crueller environment than it was some
centuries ago, despite enormous advances in science and technology.
A brief look at the history of Northern Ireland over its
half a century life, will show how the thread of power ran and still runs.
Industrial effort here based largely on the linen, textile and ship building
industries, changed gradually to an alternative dependance on such activities as
the new man-made fibre production, of which Northern Ireland is now said to be
fourth in position in world output. This is in no small measure due to the
presence of a docile labour force.
There has scarcely been a strike of note and the trade
unions are an impotent force.
A carefully set up Unionist Government was cossetted by
a deliberate blind-eye approach to ensure that the working labour force remained
dormant and rejected any liberal thinking that might be thrown out by an
occasional Northerner like James Connolly.
Discrimination and sectarianism were necessary weapons
as the nationalist minority community - Conveniently identifiable as Catholic
-rejected the state and its institutions. Adverse comment from outside was
avoided by making a convention that the affairs of Northern Ireland were not
open for discussion at Westminster and this state of affairs existed until 1968.
The lid came off with the growth of the Civil Rights
Movement in 1968/69. This should have been anticipated by the power-that-be as
the movement was global and was making itself felt in the streets of France and
in the campuses of American universities and elsewhere. Even though the case of
discrimination and social injustice was accepted and proved, the movement was
countered by a behind-the-scenes provocation of sectarian reaction. There is no
doubt that this was deliberately aided if not instigated by British Power.
There were many instances where local rabble-rousers,
many of whom are by now prominent politicians could have been made subject to
the law on charges of incitement or sedition but they seemed to be working under
legal immunity. An attempt was made to blame the underground Republican Movement
- I.R.A. - an organization ticking over from the days of
the Independence struggle in the South, and depending for its existence on the
dedication of its members, who cannot have been many, and on ill defined
sympathy among some of the minority chiefly in the Catholic ghettos. At about
this time its strength, such as it was, was depicted by a split into two wings
roughly republican separatist and republican socialist.
The early success of the civil rights movement was
countered by the advent of sectarian clashes in 1969. There is little doubt but
that the hidden power found a few local willing tools able to foment this
outburst and bring it about. The people of Hooker Street and Palmer Street,
having co-existed as neighbours for years, suddenly found themselves to be
enemies.
As was foreseen at the time, the I.R.A. used the
sectarian violence to further its own fortunes and did so successfully and an
intangible force of "civil rights" ideas threatening power, was converted into a
physical one which could be met by physical means. World opinion was assuaged by
the sight and word of British forces laudibly keeping the peace in the streets
of Ulster. To most of the minority, however, the reality is otherwise. After a
brief honeymoon (the word of Gen. Freeland) the campaign began -the one sided
harassment, one sided searching and seizure of arms and a one sided use of the
courts and legal machinery, culminating in one sided interrogation and torture
and internment.
It had the desired effect of increasing the strength of
the I.R.A. and polarising the struggle to one that could be met with by well
tried conventional methods. Two miscalculations were made. Firstly the
resistance which guerilla forces will put up if they are motivated only by
dedication to their cause and have little or nothing else to lose (a dedication
which cannot be appreciated by those who have). Secondly the details of torture
and interrogation have become public knowledge and are now the subject of
charges against Britain at the European Commission of Human Rights.
Miscalculation has meant that Northern Ireland has now
endured a horror about as long as each of the world wars with no end in sight.
Tactics had had to change. It was felt that if the I.R.A. tactics caused
sufficient horror their ultimate strength - the ghetto sympathy -
would melt away. This did not happen even after the disastrous
bloody Friday episode. I cannot explain why this and other horrors and
intimidation have not caused this rejection. Perhaps, there is a rough decision
in favour of the lesser of two evils or a more intelligent assessment of cause
and effect among the people with very little to lose than among those whose
judgment is influenced by position and privilege.
A large part of the horror has been a steady stream of
sectarian killings coming in definite waves indicating a carefully planned
pattern.
I do not believe that these are perpetrated as such by
one community on the other. It is not in the nature of ordinary humanity even
when banded into secret sectarian terrorist groups to act thus on such a scale.
It is true that communities at each others throats can indulge in severe
violence culminating in murder, as happened in 1969 and has happened recently on
a wide scale in Cyprus. These episodes are invariably self limiting if only
through exhaustion and no communities are capable of sustaining such hate to
continue assassinations for several years.
There is no doubt that some psychopaths capable of an
occasional killing may be on the loose, or some, motivated by a score to settle,
may also strike. The steady and relentless stream, however, with peak waves
occurring in the early autumn when the tensions of the summer marching seasons
have died down, point to a central guiding hand controlling the assassin.
Morality or even emotion do not enter into the
calculations. Ostensibly the choosing of the victim does not make sense. The
usual victim is an innocent labourer or tradesman. The message, however, would
seem to be that the general public and especially the minority community must
conform or else. Perhaps, there will be minor concessions such as nominal power
sharing at local level in return for conformity. In the old days the situation
of dealing with a threat to power would be met with a Culloden and Highland
extermination manoeuvre, but the pressure of world press and T.V. cameras would
now preclude this here. It is only an Eastern power bloc would employ such a
measure nowadays, where they are prepared to ignore world opinion.
In terms of human suffering and terror the long drawn
out effort is as bad if not worse than the quick massacre.
I do not suggest that the terrorist groups on both sides
are not capable of or have not committed, outrages on their own initiative. They
are, however, carrying all the blame in the propaganda exercise. There can be no
doubt that all the organisations have been infiltrated by the Secret Service
machine. It is probable that many, if not most of the killings emanate from this
source through the use of agent provacateurs or through unfortunates on whom
there is a hold for some other serious crime.
Inklings of this situation came out in the Littlejohn
and the Baker affairs. Another pointer is that the killers seem to be able to
work with immunity in spite of the heavy presence of security forces checkpoints
and up to date radio communication. On the other hand freelance murders, e.g.
those motivated by robbery are often caught and brought to justice.
The latest move in the dismal picture is that the terror
has now been taken to the innocent civilian population of England. Motivation
for this by a terrorist organisation is illogical and irrational. One result
which is not to the benefit of the terrorist organisation is that the British
public is now conditioned to accept a much tighter control of "law and order";
and encroachment on individual rights. If the necessity arose, the death penalty
could be reintroduced overnight without much dissent.
Disclosures in evidence reported at trials in England
would suggest that again there is collusion between infiltrators and young
misguided dedicated members of the I.R.A. who are induced to travel over and
wreak havoc in England. The ease with which many are picked up straight away
suggests that their actions and the possible results are known before they
start. The usual speed of arrest contrasts strangely with the average delay in
the case of ordinary criminal acts where a large section of the police force may
be extended for a considerable time.
This assessment of the Northern scene is not given by
way of condemnation of Britain only. Any power structure will act in similar
fashion. France and Spain are indulging in similar measures against minorities
where the activities of the Bretons and the Basques threaten the integrity of
central power.
It is only if my thesis is accepted that the dreadful
evil of internment can be understood. A child could tell that its declared
purpose to confine terrorists and deter others is just nonsense. It is there to
stay until the minority community gets the message. The archives show that
indefinite confinement in the prison bulks of the Medway successfully
extinguished the remnants of Gaelic culture of the Scottish Highlands following
the '45 rebellion. The weapons of power do not change with time and the reason
of humanity. This has immunity from all appeals to measures to retain it, and
has always been so in man's history.
What can we do in this situation? It is of little help
to engage in idle condemnation of any or all of the parties involved. we are all
involved by our existence here. Wide discussion is necessary to understand the
problem. My own view is that all efforts of reasonable men should be directed to
mobilising public opinion to press for the complete departure of British power
from our shores so that we can live in peace and with justice and harmony. It
will mean that on our own we will have less affluence but life should be
adequate for all.
This may be regarded as a dream. I would counter by
saying that the present and the alternative is a nightmare.
The writer of the foregoing article, Surgeon Patrick
Lane of Belfast, is a well-known worker for Communal reconciliation in Northern
Ireland. His son, Peter, a 24 year old medical student was the victim of an
apparent sectarian assassination in the North almost two years ago. In
connection with the murder of Peter Lane, it is probably not without
significance that his father had compiled evidence of tortures inflicted on
detainees by the security forces.
Surgeon Lane detects a carefully planned pattern of
sectarian killings with a central guiding hand controlling the assassins. He has
no doubt that all the militant organisations have been infiltrated by the
British Secret Service machine and that most of the killings emanate from this
source.
NO FLOWERS IN MAY |
Robert Moore |
|
Gone are the homesteads and
valleys so green |
For a twenty mile radius no
grass to be seen |
Now a nightmare of smokestacks
has darkened the sky |
And gone are the haystacks
where we used to lie |
Just a landscape of black that
once was so green |
Until big business came and
shattered a dream. |
Where no birds are now winging
or singing their song |
All the trees in the meadown
have withered and gone |
No fish in those waters is
there to be found |
Where once sparkling trout did
so gaily abound |
From those rivers and streams
where no fish now play |
All the muskrat and beaver
have roamed far away. |
No bush on the hillside to
shelter the bear |
The deer and the antelope have
moved on in despair |
And gone are the rabbit and
fox that lived there |
Gone now those pastures and
meadows of green |
Where once grazing cattle and
sheep could be seen. |
No longer do cocks crow to
herald the dawn |
Where no bees are buzzing or
bumbling along |
I don't need convincing
there's something far wrong |
But wages are high in the
smelters today |
Creating the myth "It's a
great place to stay" |
Tho the work might be hard
you'll make plenty pay |
Where everything's dying and
filled with decay |
And the countryside's black
and the skies are all grey |
But ain't life short enough,
why hasten the day |
So I am hitting the road out
of Sudbury today |
Where the faces of wage slaves
get withered and grey |
As they process the ore into
nickel for pay |
Bought by the hour selling
sweet life away |
Where there's still showers in
April but no flowers in May. |
|
|
BLUES
|
Frances Moore |
|
Like the storm thrush beneath
the rain |
I have to sing |
to live outside my pain |
|
Goodbye my darling |
may the guns shoot wide |
How cold our bed is |
with you outside. |
|
Lullaby darlings |
while the big bombs fall |
Hold on to mother |
who's no good, no good at all. |
|
Like the storm thrush |
beneath the angry sky |
I have to sing |
to pass my sorrow by. |
|
Children are growing |
and must be fed |
I must labour to rear them |
And help earn their bread. |
|
Lads must go courting |
a lass of their own |
Out of work, mother, |
and emptying home. |
|
Where are you darling now we
have time |
to be together |
after so long, so long a time? |
|
Out in the rain love |
trying to wake |
the sullen people |
their own lives to make. |
|
The sullen people |
whose shattered faith |
trust no-one to lead them |
to a better life. |
|
You upon one beat |
I on the other |
How can we meet |
and hold together? |
|
Like a storm thrush |
in the snow storm |
I have to sing |
to keep my courage warm. |
|
Like a storm thrush |
singing in the sun |
I have to sing |
for every moment won. |
TRELLIE
Ken Clay
When Trellie was very young, during that bleak period of
austerity in the late forties and early fifties, he was taken to the pictures
every week by his mother. All the heroes, it seemed to him, played the piano
very well or quoted long pieces of Shakespeare flawlessly. His father venerated
these accomplishments and could himself quote two lines from John of Gaunt's
death-bed speech in Richard II. He made a point of committing the couplet to
memory after coming across it in the monthly magazine of the Royal Society of
St. George.
Then there was Arthur Mee's Children's Encyclopedia, the
only set of books in the house apart from the Home Doctor and the Daily Express
Book of the Garden. They were all kept lying flat under blankets in a drawer in
the wardrobe; it didn't seem worthwhile buying a bookshelf. From these Trellie
received the first stirring intimations of the power of great art. Not from the
works themselves - the Encyclopedia did indeed contain whole sonnets by John
Keats and Milton in addition to blue toned photographs of Michaelangelo's David
and Moses - but from the grandiose, overblown language of Arthur Mee himself.
Surely, thought Trellie, if these things can move people like Arthur Mee to
deliver such extravagant praise they must be the most important things in the
world. When he looked at the poems and statues the sonorous phrases of his guide
made his flesh creep once more in a frisson of awe.
Later he wrote poems: it was easy. Then he started to
keep a notebook of thoughts which one day, when he'd got enough to publish,
would undoubtedly appear in Encyclopedias of the future under the heading
'Immortal Ideas Which Have Changed the World'. As he grew older the ideas of
others began to pollute his stream of thought. Eventually the notebook became an
intellectual rag and bone cart piled up with rubbish whose variety bore witness
to the totally undirected nature of his reading.
It was this notebook which he produced at Neville's one
Sunday afternoon and read to him the following quotation. Not because it struck
him as a profound idea but simply because it puzzled him. The sentences had a
peculiar property. Although they were written in English, and although he'd
re-written them substituting the dictionary definition for each word he didn't
understand, he still found them completely incomprehensible. They defied
penetration. It was a deeply disturbing moment in Trellie's life: his first confrontation with philosophy. He read the
sentences out to Neville hoping to impress him with his erudition and at the
same time provoke a discussion during which their meaning would be made clear.
"Modern thought has realised" Trellie read,
"considerable progress by reducing the existent to the series of appearances
which manifest it. Its aim was to overcome a certain number of dualisms which
have embarrassed philosophy and to replace them by the monism of the
phenomenon". Neville squirmed in his chair, arranging his arthritic hip in a
more comfortable position. He looked at Trellie as he would at one of the
paintings on the wall. Looks are really the only thing worth bothering about he
thought, they can even compensate for this tedious adolescent thirst for
culture.
"Its from Being and Nothingness by Jean Paul Sartre",
Trellie went on, staring straight at Neville with a look of powerful
concentration: the kind of look often found on the faces of people who spend a
lot of time reading books they don't understand. Neville sipped his Algerian red
wine and gazed up into the far corner of the room as if the sight of anything
more interesting would be a dangerous distraction.
"Philosophy is difficult not only because it uses
ordinary words in a special way but also because it manipulates abstract
concepts for which there are no concrete corelatives. The English temperament",
he almost said the proletarian temperament, "is essentially a positivistic and
empirical one, disinclined to give serious attention to metaphysical
speculation. What they fail to realise of course", he went on, emancipating
himself easily from this narrow national category, "is that this apparently
common sense view of the world is itself a philosophical posture no more certain than any other. We have merely become used to it and
somewhat seduced by the success of its application in science."
Fuckinell! thought Trellie, he talks just like a book
himself! He felt a strong urge to turn round and see if the words were printed
on the wallpaper. "No concrete correlatives?" asked Trellie, going back to the
point where he'd lost the argument.
"Precisely", said Neville. Trellie felt vaguely
flattered but couldn't think why exactly. "You should really read Hegel before
tackling a work like that. It's virtually nothing more than an expansion of the
Self-Consciousness section of the Phenomenology of Mind". Neville realised he
was speaking to himself but he regarded even one-sided conversation as good
practice. The discipline of shaping sentences fascinated him, as did the sound
of his voice. Trellie too was intoxicated by these compliments to his
intelligence. All in all they were both having a fairly good time.
Outside Neville could hear the thwack of boot on
football. It was a Sunday league match on the park. One could hardly stand
behind the rubber plant ogling those lusty thighs through the French windows in
front of this screwy little poseur. He gulped again at the wine. "why do you
read such things anyway?" The working class, he thought, what an astonishing
collection! They imagined they could just pick up culture like a pint pot. Only
the other day his cleaning woman had told him she was going to night school to
learn Russian.
"I'm interested in philosophy", said Trellie.
"Excuse me a moment." Neville got up with difficulty and
retired to the upstairs toilet to fart. Trellie heard it distinctly; at first he
could hardly believe it. Yet there it was, a real rasper, the kind which Ferny,
the boilermaker s mate, followed by sweeping an imaginary shot gun up to his
shoulder. If it had happened at home his father would have said, 'see better now
can yer?' But Neville, already back in the room, left specifically for that
purpose out of deference to his guest. The mysterious abyss between the classes
opened up once more.
"What have you read up to now?" said Neville.
What a sneaky question, thought Trellie. Here he was,
engaged in a task of extraordinary moral grandeur - nothing less than the search
for a code to live by, a system of rules and stirring exhortations to replace
the mind-numbing Protestant imperatives he'd had stuffed down him as a child,
being forced to answer Neville's question with a pale list of titles. "I've had
Descartes and Karl Marx out of the library but I've never been able to get right
the way through."
The idea of chaperoning an ephebe through the labyrinth
of European culture made Neville's soul swoon with delight. His mind, however,
an organ more susceptible to cynicism, had become wary over the years after a
series of failures. The most grievous had been that of his permanent companion,
Dickie, whose proximity during two decades to three thousand volumes and a
collection of modern paintings so large that half of them had to be stored on
racks in the attic had left him regarding books as objects to be put back on the
shelves when the coffee table began to look untidy and paintings as highlights
for the wallpaper, only worth looking at when they contained lots of orange or
cats.
Yet Trellie had a certain raw intelligence. That gaze!
His look was never less than one of intense curiosity. Sometimes in his presence
Neville felt vulnerable to ridicule. "What you need is a systematic course of
reading."
Trellie brightened. "Yes, I was going to ask you if you
could let me have a list."
"Municipal libraries are ..." Neville was about to offer
a disparaging tirade on the contents of the town library but realised that this
might expose him to a question about his reasons for going there, "not very good
on the whole." He stretched out to a nearby bookcase, "Read this and we'll have
a talk about it when you come again." He handed
Trellie the paperback version of La Rochefoucauld's
Maxims. He left in a state of exalted fervour. Just as a pig in a slaughterhouse
pen becomes invaded by a sense of dread so Trellie, poised blindly on the
precipice of transcendental metaphysics, was somehow aware of the vertiginous,
mind-warping prospect before him. His brain buzzed and flashed like a pinball
machine as new cerebral circuits sprang into existence in an attempt to
comprehend Neville's words. The world outside had that flat, airy, natural look
which he had come to know for the first time years ago on stepping off the Ghost
Train at Blackpool's Pleasure Beach.
TO A
LANCASHIRE UNITED BUS |
John Gowling |
|
Manchester-Bolton-Westhoughton-Hindley-Wigan-Atherton |
St Helens -Prescot-Liverpool. |
|
To a Lancashire United Bus |
You trip from town to town |
In search of a countryside
you'll never see. |
The mispent unhappiness of the
hive of British slag and |
Chemical waste, |
Ride on, Ride on in Majesty. |
|
Ride on, Ride on |
You red and silver double
decker bus |
Belch out your beautiful black
fumes |
Over the yellowy white
disbelievers |
Belch out your beautious body
odour |
Over those who choose to stay. |
What can grow on the spoilt
earth |
The sulphur rained-on streets? |
Where will you go, you
tuberculer Bolton pigeons |
When the mills cease to serve
to roost? |
Or the atom bomb dropped? |
It is being dropped in slow
motion into the hair |
Of those of Warrington, Widnes
and St. Helens every day. |
|
You Lancashire United Guy Arab
Bus, |
Grow on young man, |
You dirty-old, labour-rearing,
thrown-at pram |
You perished and corroded
bricks and mortar, |
You dusty, varnished, brown
sideboards and yellow porcelain alsatians. |
Belch out your beautiful black
fumes. |
While they beat out their rugs
in your path, |
And slip out to the shop along
that eternal terraced block that |
Stretched from Liverpool to
Hull. |
You Lancashire United Guy Arab
Bus, |
Someday they'll throw you
away. |
Like a spent human carcass. |
And as your air doors close
over Hindley |
They'll ring again in vain. |
|
|
BLACK AND WHITE
|
Bob Dixon |
|
In the day, |
the white light shines on all
men |
and casts black shadows. |
|
We are shackled by the heel |
to our shadows. |
We are prisoners in our skins. |
|
As well try to scrub your
shadow white |
as lighten your skin. |
|
In the night, all shadows
merge. |
All cats are black at night. |
|
|
RESSANO GARCIA |
Barbara G. Smith |
|
A little morning music - |
and winter's lucid sunshine
sweeping the dusty bush; |
and the train tilting,
twisting slowly along the valley |
to cross the river. |
And we singing, and loudly
laughing, and shouting, |
drunk with hope, and holiday
home-coming. |
|
And you were there, Mzuzu, |
gay excited; the cracks in
your deformed |
tin trunk glimpsed gifts, a
shining pan, |
bright cloth, some tins,
meagre rewards |
for dark submerged humiliation
buried deep |
in your quivering soul, as
your body quivered |
daily deep in the dark
weighted narrows |
of the rocks of gold. |
|
And you too, Nkonsome, eyes
alight, |
tongue live with fluent
speech, the leaflet |
brandished, a spear of
triumph, in your hand. |
Wonders you spoke, of churning
change, of freedom |
fought for within our grasp;
perhaps, you breathed, |
daring, perhaps we need return
no more |
to anxious apartheid labour,
perhaps worthy work, the work |
of progress, awaits us, |
needs us there, in our
homeland! |
|
The river - oh, jubilation;
briefly we taste |
the freedom of our dreams. But
first the frontier post |
-the past survives in
barriers, curt question, |
brutal examination, old
customs clashing |
with our quickened
aspirations. |
Hau? Shooting? incredulous
shock; death's |
silence ... our joy had forgot
the white-faced |
senseless fear of a fear-free
future |
when no-one will name man
Master, |
and when comrade calls to
comrade, comrade to |
comrade will reply. Till then |
Ressano Garcia. |
AN UNMARRIED MOTHER
-A PERSONAL EXPERIENCE
Vivian Leslie
The unmarried mother - ten years ago she reigned supreme
as society's problem child. She was the subject of earnest debate and
pontification from a righteous host of eminent sociologists, clerics and T.V.
pundits. Her situation within society scraped raw by the intimate probes of
women's magazines, documentary T.V. programmes and statistical reports, she was
under a spotlight for public spectacle. Yet her problems remain. The fact that
the focus of public concern has shifted towards the teenage drug addict/pusher,
the vandal and the football rowdy, only conceals the fact that despite her solo
performance as the sociologists' star turn, very little provision has been made,
through either law reform or a change in local authority attitudes, to enable
the unmarried mother to exist in our society on a comparative level with her
married friends, either economically or spiritually.
The following article contains no comparative
statistics, draws no broad sociological conclusions and is not intended to be a
nationwide survey of the situation. It is simply the experience of one unmarried
mother and her son, and the conclusions she came to from her experience. I've
drawn some things from the experience of girls in similar circumstances where
their experience differed from mine, but though our family and economic
circumstances were very different, the problems we met were surprisingly
identical. One conclusion we were all agreed upon, it is a fact that it is no
easier for the unmarried mother and her child to emerge sound in mind and limb
from the early critical years now than it was ten years ago, despite the
hysterical assurances from the media that we live in a permissive society, that
people are more tolerant and that the State looks after its poorer people. Now,
as then, any situation is easy for the rich (in this situation, they can have a
discreet abortion) but the majority have to claw their own way out of their
problems, with very little aid from the institutions that could, but don't help
them.
Even for t he super-confident, the humiliations of being
disguised as "Mrs." while in hospital, being "forgiven" by family and friends,
being regarded as a parasite by the SS (Social Security, but the coincidence is
so appropriate) and being discriminated against by money-grabbing landlords and
company-minded employers, is hard to take, especially in the post-natal period
when emotions and nerves are inclined to seesaw wildly, often tipping the
sufferer onto the downwards spiral of post-natal depression with successive
blows against the confidence of the new and nervous mother. To a young girl, any
of these experiences coupled with the enormous responsibilities of caring for a
young baby, can seem insurmountable. This is indeed a danger period in which
hasty marriage or premature adoption is often the result of the subtle but
relentless pressures that society brings to bear on the unfortunate girl to
conform. At a time when she needs every scrap of her confidence to cope with her
changed life, the noose tightens, and the clear judgment she needs to guide
herself and her child through their situation, is inevitably strangled by the
consequent worries and doubts. None of us came through this initial crisis
unscathed.
It is much harder to resist the gentle pressures of
those we love and may be made to feel we have offended, than the more impersonal
ones of a distant and abstract society. The guilt feeling, which plays so large
a part in the reactions of the unmarried mother, may be intensified if she is
living with forgiving but disappointed parents, who may not be able to, or even
wish to, hide their disapproval from her. These destructive feelings can grow to
manic proportions in a sensitive girl, leaving her emotionally deformed, unable
to rid herself of a feeling of inadequacy because she does not feel the guilt
and shame she is expected to feel. She suffers from a secondary guilt feeling
brought on by other people's expectations of her, which she is unable to meet.
Neither I, nor any of the girls I knew at the time, felt any guilt or shame for
our pregnancies -any guilt we did feel was associated with having fallen foul of
our parents' aspirations for us. We felt shame on behalf of our parents. I know
that parents who support their daughters without moral recrimination or evidence
of distaste can be of immeasurable value to the unmarried mother. I know of none
who did so.
In order to avoid these frictions, the obvious
alternative is to seek some form of rented accommodation, to work to pay the
rent and a baby-minder, and to be as independent as possible. In purely
practical terms, there are very few girls with a large enough earning capacity
to be able to afford the rent of a self-contained flat, plus the wages the
baby-minder will require. It is not an ideal solution even where it is
financially viable, since it robs the mother and child of their precious one to
one relationship. The baby comes to know his minder better than his mother, the
mother can be quickly disenchanted with the role of mother when all it appears
to consist of is an ever-growing pile of washing and ironing to be done, and
only moments of real baby-care. Doing a full time job when there is no-one to
share the chores with will rapidly tire the most healthy person, and with the
broken nights she will have to endure, she may become inefficient at her job
through tiredness, which in turn will lead to worry, because she is worried she
will not enjoy her baby as she might otherwise, and the whole situation is in
danger of degenerating into a tightening circle of depression, harmful to mother
and child. Severe cases of depression can be the first steps that lead to
attempted suicides, baby-bashings and often, a desperate promiscuity in search
of a man, any man, who will take the load, even partially, from her shoulders.
Most of the girls who did work at a full time job were the ones living with
family or relatives who helped, more or less, with the care of the child.
It is incredible to reflect that there is no acceptable
alternative to the natural mother's care in our society. There are many
situations where, perhaps because of illness or a need to work on the mother's
part, that the natural mother is unable to look after her own children, even
inside marriage. These women are caught in the same trap as the unmarried
mothers - they have to rely on kindly relatives or paid minders to look after
their children. State nurseries open at hours impossible for a working girl to
meet, they have a high teacher/child ratio, few will accept a child under the
age of three and the lack of comfort and home atmosphere make them a poor
substitute for the natural mother's care. (This standard of nursery care is also
a severe problem to the percentage of women who feel intellectually starved in
the role of wife and mother, who need the stimulus of a demanding job to present
a relaxed and happy face to their husbands and children. At present, these women
have only a bitter choice between a childless career or reluctant motherhood
before them, either one a cheat). Having said that the ideal situation is one in
which the unmarried mother is able to look after her child with the same peace
of mind and financial security of her married friends, I will go on to show how
impossible it is to achieve this humane solution.
Seven years ago, when I was investigating ways and means
of supporting myself and my child, a visit to the local SS office provided me
with the information that we would receive approximately £5 weekly from the
State for our upkeep. If we lived alone we would qualify for a rent allowance,
free milk (one pint a day) and help from the Welfare Department for our clothing
needs. A question from me about how to budget for two on that amount elicited
the reply that we weren't supposed to enjoy ourselves on SS money - no indeed.
The economics of the situation need no explanation - it just couldn't be done,
not even seven years ago. I might add here that I had always had an aversion to
taking money from the State - taxpayer that I had been, I thought it not
unreasonable to be able to live above a mere existence, and I was shocked to
discover that the SS regarded this as superfluous, arid in the instance of the
particular official that dealt with me, that she retarded her role in life as
being that of protector of the State coffers from sinister claimants like me,
who intended to rob the coffers at the rate of £5 weekly. (Nothing changes - a
recent report from the Citizen's Rights Office contained a case in which an
unmarried mother was refused money to feed her baby on the grounds that "Babies
that age don't eat much.").
I did, in fact, work full time after a month at my
family's home. Though allowing us a degree of financial independence, working
had many disadvantages. I saw far too little of my son, when I did see him I was
tired, my mother wasn't able to cope with the needs of four adults and a baby
and though I helped where and when I could, some friction was inevitable and
distracted us from the main task of bringing up baby. Looking back, I might have
fared better on the SS pittance, but I felt than, and I do now, that the
unspoken demand from the State that the parents should supplement the incomes of
their "errant" daughters is a vicious imposition on the goodwill of the parents.
It is making a moral judgement on the people involved, by making their lives
more difficult than they would otherwise be, surely not the lawful business of a
State Department, and a "Welfare" one at that.
In the early days, one of the worst problems we
encountered was the lack of a place for us girls to be together to discuss our
peculiar problems. Few of us could afford baby-sitters, carrying babies through
cold evening air was not advisable, so the only place we could meet was the
local Baby Clinic, where we were heavily outnumbered by the married mothers who
chatted gaily to each other about their homes, their husbands and their cars.
They looked at us with pity, well meant but debilitating in the extreme, how we
longed to be accepted among them as mothers. We were unfortunate in that the
Health Visitor attached to the Clinic was a solid Christian lady, who treated us
as if we were imbeciles - perhaps she thought we were - but her impatient waving
away of our questions and her general attitude towards us prompted me to neglect
to take my son to the Clinic for two weeks when he developed a patch of scurf on
his head (a thoroughly normal occurrence, as I since learned), but I was afraid
she would label me a "dirty mother", most heinous sin in her rule book. She
never "liked" our babies - they were always too heavy or too pale, too warmly
dressed, or, in my instance, were walking too soon. We certainly felt that we
were "on inspection" when we attended the Clinic and our babies were scrubbed
twice as often as they needed to be, almost defiantly.
Perhaps it was only our imagination that prompted us to
think that our babies were scrutinised with extra zeal - I think not. If only
someone had told her how much we needed reassurance that we were doing well - we
couldn't do it, we were far too frightened of her frowns and moods.
(This is obviously only one instance of a Health Visitor
- the one who attends my second son is a lavender lady of advanced years who
insists I list my religion as "agnostic" instead of "atheist" because, she says,
"There's more hope that way.").
One of my friends who did manage to find acceptable
rented accommodation she could afford, had other problems. She had to run
errands, help with other tenants' housework and generally debase herself for a
landlady who exploited her vulnerability by threatening to turn her and her
child out on to the street if she refused. This girl had been rejected by her
family and had nowhere else to go, she was desperate so she accepted her
humiliating part in this bargain without complaint. Because she was existing on
SS money, her regular boyfriend could not visit her in her attic in case he
jeopardised her benefit (SS officials assume cohabitation where a man makes
frequent visits to a claimant, not necessarily overnight, and cut off benefit
immediately - no such nicety as a hearing). She could have had a succession of
male callers, one every night of the week but the visits of one man were a
luxury she could not afford. Inevitably, the relationship starved to death, as
did several others that succeeded it. We used to laugh at the anomoly - we could
be prostitutes on SS money, but not have a regular boyfriend whether we slept
with him or not - we used to laugh but after a while, it just wasn't funny any
more, only unfair.
Another sadder case was the girl, staying with parents
who tried to persuade her to return to t he Church she had been brought up in,
who fought to resist these pressures for three years before she capitulated. She
then "repented" of her "sinful ways", had her son christened, married a man her
parents and priest approved of and is now living in a three bedroomed semi with
garden and garage, has another child and is only a bleak echo of the happy girl
she was. She went under through lack of support and understanding from
supposedly Christian parents and friends who took it upon themselves to "reform"
her. Reform her they did, she now has lost even her faith in herself and has
gained only a facade of respectability - she will always be the "fallen angel"
to her family, they do not let her forget it. She told me that she had not
wanted to marry, but was heart weary with the constant battle with her family
and friends to preserve her self-respect, in the face of their efforts to
undermine it at every opportunity. She told a sorry tale of the months preceding
her reconversion to the Catholic faith - of sessions with her priest who used
every session to seduce her back to the confessional with promises of an easy
mind as reward. She said she felt guilty at the sham - she did not believe but
was tired of fighting every inch of the way for her right to be. She said she
was a traitor in the camp. Another broken spirit for the Church.
My own experience with clerical attitudes was not as
devastating but along the same lines. A certain misguided friend took me
unawares to the house of a Methodist minister, ostensibly for an evening's
conversation, but for a prearranged heart-to-heart talk about a spiritual crutch
for me in my troubles. The conversation lasted about ten minutes, in which time
I imagine that the minister came to the conclusion that I was either a complete
heathen or hopefully, that I had no need of any spiritual life-raft. The
conversation ended and so did that particular friendship. My particular
hardships did not incline me towards a religious way out, though it is probably
true that unmarried mothers, along with other people in social distress, are
likely conscripts.
I have deliberately left out the morality of the
question - I make no pleas for acceptance or tolerance for the unmarried mother.
It is my personal view that our society is fast outgrowing the Victorian
morality it has been saddled with for so long - we only need the courage to
embrace a newer, wider morality that will, in fact, tolerate the social
"deviants" among us. I am aware that there are large numbers of people,
homosexuals, commune members and people who choose to avoid the existing family
structures, who have a just claim on society to tolerate them financially and
morally - we stand together stating our existence and our right to be an
integral part of the society we live in. Paradoxically, we wtill zealously
harass the sexual "criminals" in our society, the lechers, the adulterous wives,
the pornographers and the whores, while ignoring the viler acts of t he
landlords, property tycoons and land hoarders - who are the real pirates of our
society, the real corruptors, but their turn will come.
It needs to be stated that the greatest and least
measurable harm is done by the double standards of t he society that the
unmarried mother has to live in. The emotional turmoils of each girl are
different, the extent to which she is prey to guilt feelings, inferiority
complexes and a mass of interconnected neuroses is different. Few of us are
personal anarchist enough that we can live at ease in a society that on the
surface accepts us, but which continually undermines our quality of life by not
providing the legislation to control discrimination against us in tenancy
agreements and employment contracts, that provides no acceptable nursery care,
or that renders us financially impotent to support ourselves, even with the
State benefits that are so immorally low. These things are a living nightmare to
us - we have to plan for a future that intimidates many of us into hasty
marriage to escape the draining insecurity that is our permanent lot, a future
in which we can have no council house without a husband, no mortgage without a
man behind us, and no real prospect of a full life without a man, because our
society is geared to the nuclear family and provides for no alternative family
structure. No, we are not all desperate to marry - many of us would sit out our
problems if it were possible to do so without impoverishing ourselves and our
children. It may seem to some that there is a brand of arrogance in the fact
that we will not accept our given role of second class citizens, we will not
take the leavings, the poorly paid jobs, the slum accommodation. We will retain
our simple human dignity, our place in the shade if you like, but not in the
cold. We are ready to shoulder our responsibilities, but not the punishment that
is often meted out. How can these girls plan the lives of themselves and their
children calmly and practically with the weight of these injustices stacked so
firmly against them - always pushing them into marriage, nudging them into
conformity, because it's tidier for the taxman that way?
In this situation the most important person is the child
- I've said little about the child in this article because it is the pressures
on the mother that affect the child most. There must be some kind of legal
enforceable protection for these children. They must not be allowed to remain
the pawns and victims of greedy landlords, reforming clerics, impersonal
social-workers or unwilling grandparents. Most of all, they must not become the
victims of their mothers' desperation, by abandonment or physical abuse. Both
mother and child must be steered well away from this final black hole where the
helpless panic and drown one another. we must work to help society to bequeath
to these children a secure and worry free mother, their first and prime human
right. What we as a society must do is to tinker with our morality and language
enough to make the word "bastard" obsolete.
THE LIVING SEED
|
Angela Tuckett |
|
Only upon the bleakest top |
Still lies the drifted snow, |
Out of the sting of the wind's
whip, |
The noonday glow. |
|
Only upon the cliff's north
face |
Freezes the bitter rain |
Hushed in a passionless
embrace |
Silent again. |
|
Tangled tussocks everywhere |
Contend with barren stone; |
Once more the stripped earth
brown and bare, |
Never yet sown, |
|
Awaits the not impossible |
Beneath perpetual snow |
The living seed waits only
till |
Our firestorms glow. |
|
|
|
POINTS OF VIEW
|
Maurice Wiles |
|
Ephemeral fly |
On window pane. |
Outside, aspen leaves |
Tremulous on twisted stalks: |
Green-shadowed patterns |
A flickering crisscross made |
Of random light and shade. |
|
Progress? said fly. |
Nonsense! said fly - |
The universe is made |
Of random light and shade, |
My myriad eyes can find |
No planning mind |
That lies behind. |
|
Poor curious fly! |
Spider came by |
Long-legged and hungry, |
Caught him in clutching web |
Before summer's ebb. |
|
Gorged spider |
Safe in webbed lair |
Saw autumn and winter come, |
Leaves turning yellow and
brown |
Then falling down |
Leaving twigged branches here. |
|
A fool, that fly, said spider, |
Wisdom was denied her. |
Decay in all I see. |
The universe collapses into
death |
At autumn's chilly breath. |
|
Wise cat with topaz eyes |
Caught spider by surprise: |
Cat's paw ended her. |
Long legs did not save her. |
|
For nine lives long |
Cat mewed her philosophic
song: |
Leaves come and go; |
Green follows dun |
When winter's gone; |
Dun follows green |
When summer's done. |
Spengler' s my man, said
topaz-eyed. |
Thought of progress I can't
abide. |
In rhythmic ebb and flow |
The seasons come and go. |
When all's said and done |
Nothing's new under the sun: |
Time's whirligig can only
bring |
Summer winter autumn spring, |
And all's to do again. |
|
But soon cat drew her final
breath, |
Her topaz eyes were closed in
death. |
|
But then man came along. |
He sang a different song: |
That aspen tree once grew from
seed |
Planted by man; |
One day, when old, it will be |
Cut down by man. |
The window pane, the house
that frames it, |
Were made by man. |
With spade in hand |
Man made the glass, |
Man axed the tree |
And sawed the timber |
And shaped the walls |
And built the house |
From blueprint preconceived. |
Man prophesies no evil doom |
Emerging from time's womb. |
Man's speech creates a wealth |
Of unseen knowledge |
From solar system college; |
His curious mind discovers |
His birth in ancient time |
From primal slime. |
The laws of change man gets to
know |
And understands why things are
so. |
Man's labour, bought and sold, |
Protects him from of old |
From summer's heat and
winter's cold. |
Someday, with labour free, |
He'll pull it down and better
build |
Homes with happy humans
filled, |
And with foreseeing mind |
Plan homes for all mankind. |
No human then shall homeless
be, |
Nor lack the time to see |
The beauty of the tremulous
aspen tree. |
|
|
|
EXPLOITATION |
John Salway |
|
Take a case of bones |
Rattling in the desert |
|
And watch the last drops |
Of blood |
Drip |
Into the ravenous sands |
|
Take a gold mine |
Yes |
Take a gold mine |
|
And paint your lady |
With summer in Las Vegas |
|
Take the world |
And twist it round your finger |
Tight-wad |
|
And don't forget |
To catch |
The pennies from Heaven. |
|
|
BLACK SHEEP |
Jone o' Broonlea |
|
Aye, 'e wur an' a, |
A bloody card wur uncle Joe: |
At 'time 'is dooms were provin'
bad |
E up to speawt, an' roost of '
lad - |
im 'ere, i' Lych Lane |
In 'is grave wheer Joe wur
payin' |
Lip-service, stonnin' on 'is
stooan, |
Fit to stir 'is iv'ry booan |
As, turnin' in 'is tomb, 'e'd
oss |
To whummle this murtherin'
bullshit boss |
As'd sent a rook o' ther owd
mates |
Deawn Lych Lane an' through it
gates |
To back-o' beyond an'
kingdom-come, |
While mony another mun cringe
awhum. |
It a' come eawt, o' ' feaw
deeds o' Joe's, |
0' th'after 'ed'd cockt up 'is
toes: |
Stuff as we'd 'ear'd bur ud
nooan believe |
As heaw "one of us" could so
deceive |
Ut craeturs ud bloody ther
'ands o' this manner |
An' wipe 'em, t'ide ' stains,
i' ' blood-red banner |
As leads us still. |
Up at ' mill |
T's a' modern neaw - |
Onyheaw, |
Beawt t'owd bastin' an' batin'
life, |
Tho' still ther's ' wark's
estrangin' strife |
0' ' rooad o' mackin' things |
An' ' consequences ut it
brings - |
A'reet for them wi' profit
goal, |
Bu' niver same for us an' a' |
For tho' they'n done wi Joe's
feaw ways |
Is aim ut based 'em a' still
stays -Apin' ' Yanks: "Catch 'em up, then over-tak!" |
Follerin' ther wake, as should
ha' ta'en tother tack, |
Turnin' eawt what's namoore na
ther profitable lines |
As desirable goods for ' good
o' mankind's |
Progress": this Jack-o'
-Lantern chase |
As peysons ' yearth wi it
reckless waste. |
They'n long-sin' ta'en Joe's
likeness deawn frae ' wa's |
An' we mun shak' 'is clawkin'
paw off' Cause |
Ut's eawrs, t'insense it in us
mates what's reight |
I' this fluctuatin' feight |
An' nooan be flaid |
0' new mistakes ut meht be
made: |
Let's mind o' Karl an' Fred
an' hill, |
For what they towt's as fresh
'ere still, |
Tho' lots they wrote we'd tend
t'owerbook |
Sin' it didn't figger i'
Joseph's book - |
Long-ignored, it wur allus
theer |
An' reaches us neaw, like
news-frae-nowheer, |
That clear an' breet |
We maun ne'er namoore base it
frae eawr seet. |
An we were bloody foo's an'
a', |
T'ha' set such store bi uncle
Joe. |
|
roost (of), praised; Lych, corpse; oss, try; whumnile,
overturn; rook, large number; bastin , beating; batin' , cutting short; insense,
make understand. (the substituted by a glottal stop, is indicated by an
apostrophe: 'time, ' lad, ' feaw deeds, etc.).
TRAFFIC LIGHTS
Gareth Thomas
Two overalled men threw their tools into the council
truck and drove away, leaving behind them a brand new pair of traffic lights.
They had installed many traffic lights before this pair, and did not get
emotionally involved with them. Maybe they did not know how long it had taken to
make a decision to put those particular lights in that particular spot. What did
they know of the dead children, killed on that busy main road? How could they
curse the council for not listening to its electorate? They drove off without
seeing the pregnant women standing on the corner, laden with shopping and
justified bitterness.
She just stood and looked at the lights. A controlled
pedestrian crossing. Perhaps the child inside her would now stand a better
chance of survival than the sister it would never see, the last child to be
killed before the council decided to act. The fourth child killed on that spot
before the council decided to act.
"We can't afford a crossing." They said that after the
first child was killed. After the second child was killed, a Crossing Action
Group was formed by local mothers, and the council generously said: "We're
looking into the possibilities ..." While they were looking into the
possibilities a year after the first child was killed, the third died under a
continental juggernaut. This vehicle also demolished a lamp-standard as it
swerved, in a belated avoiding action. Maybe the council looked into
possibilities a bit quicker then, as a lamp-standard happens to be an expensive
item. They paid a woman to hold a sign for children to cross. STOP - CHILDREN
CROSSING. When this woman was in hospital, and the fourth child was dead, and
the council was paying compensation, and the Crossing Action Group had won the
attention of the press, the council agreed that it was a good idea to put a
crossing at the point in question. Now, a year later, it was finally installed.
The pregnant woman with the shopping and the tired face
watched as the first batch of returning schoolchildren pressed the button on the
bights. The traffic stopped and they crossed safely, leisurely, happily pointing
at the little green man-shaped pedestrian light. Wiping away a tear, the woman
turned and walked home.
A fat man in a pinstriped suit was sitting behind the
wheel of his big black limousine, fingers drumming on the gear stick, impatient
to meet a business friend for drinks, glaring at the red bight. "Come on, blast
you!" he cursed, glancing at his watch. The light changed to amber and he
accelerated quickly away, swerving to miss a cyclist and hooting the horn
loudly. "Bloody cyclists! Shouldn't be allowed on the road ..."
The man on the bicycle made a rude sign with his
fingers. Well, how could he know that the car contained the councillor he had
helped to elect?
LUVIN' TALLY |
Jone o' Broonlea |
|
One-wi-tother, i' |
Tooathri heawrs o' |
Four-legged marbock, then |
Five for sleep while t' |
Six-o'-cbock rise an' off bi |
Seven wi summat t' |
Eight afoore t' |
Nigh'n four-moore's drive
as'll ha' |
Ta'en a' mi time to mek |
Elevenses wi t' missis. |
(Ther's truth fon i' t'owd
adage, o' |
tother rooad-reawnd what's
said: |
Ther's summat moore na
marriage to |
Four bare legs in a bed). |
4th NOVEMBER 1974
M.G. Askell
4th November 1974. That will have to do for a title, in
any case I've always been suspicious of titles, they continually restrict, in an
academic sense, or so it seems to me; and I am going to diverge considerably, in
any case having read of the problems others undergo in the search for an
appropriate title, I'll just say now that, if one appears it wasn't my starting
point. What is, or, what was, you are entitled to ask; (maybe that could be the
title; YOU ARE ENTITLED TO ASK).
You probably have heard, even asked, the questions that
follow. What is it? What is it supposed to represent? What does it mean? and
Hmm? Why do you do it? Most of the people I am in contact with, those that for a
variety of reasons are likely to enter into the flat in which I weave the web of
my personality, invariably connect these (objects) with a concept which takes
form in the sound ... modern art. I am never worried at any of my levels by the
sound modern, it's a contradiction as soon as the sound has passed. Art, this
sound disappoints me, when it reaches me I understand vaguely that I am being
committed to an act of separation. In this situation I am not al ease, either
with myself, and consequently ill at ease with those who have produced the
sound, art. It seems too long a journey to undertake at such short notice.
To continue, we are on a beach, which beach? I don't
think that has any great significance, well I'm confident enough to say at this
moment in time it wasn't the motivation, only the place. However, the we, as
always, remains elusive, from the significance factor that is. I thought at the
time about, how clean, (clean, as a state of being, not in the environmental
clinical sense;) now, timewise, is. There are enumerous pebbles on pebbly
beaches, neither of the two I collected, selected, retained, were in themselves
initially sufficient, for their retention, maybe I would use them, it depended
on, a) the strength of my memory, b) do the pebbles continue to assist in c) the
development of, as yet an unknown recollection of that particular moment and its
consequences.
On the beach there are many similar stones of the same
material, some are broken, no, that isn't strictly correct, some are in the
process of becoming smooth all over, being an uninformed geologist I would
describe the structure of the stones as crystalline. On that bright everyday
morning the broken stones sparkled while and clean, the two stones I retained
are in one sense their future. Time has locked the past in practicalities.
That day during the afternoon we flew a kite, there was
no wind in the morning, if there had been I doubt if I would be typing this. The
kite was in the shape of a bat, the colour of the kite is black. When I was a
boy I had an idea that kite's had achieved a magnificent freedom; from what? I
didn't know; they haven't, they are attached, and that's what makes them work.
As for always in close proximity to the beach there
stood those indispensable egg-timers of instantaneous enjoyment, or so I am led
to believe, if for no other reason than their abundance, which I doubt, the
amusement arcade, model-boating lake, on this particular day in the throes of
organised model yacht competition, saddle your own canoe lake; we did, and I had
my own thoughts. We did other things, people do, I said goodbye to a daymoment,
we began to return, the four of us. The stones? in a haversack, inside a wrapper
that once harboured our now eaten cheese and tomato sandwiches.
A piece of ordinary plywood 6' x 8" the surface has cuts
and indentations a result of my activities in conjunction with others, some of
these being:- the construction of a glider; framing of two drawings the work of
two children, a brother and sister; cutting card into various shapes; a block to
hammer on in order to save the table or whatever from above cuts and
indentations. The piece of wood came from a carnival float, an off-cut, part of
a side panel that now enjoys the imaginative reign of a group of children living
in a council estate, the wind and all other weather conditions. Is now the
ground.
Lighting, colour, you could easily build yourself a box
big enough to live in with the black and white tracts written on light and
colour, still have adequate supplies remaining that would enable you to light a
fire thus produce colour, that would be ridiculous? You think. Colour is there
and costs nothing, all you need is to look. O.K. but seeing isn't just a
mechanical functioning that depends on all the bits working well with each other
to give every one the same exact image. It depends, on what, well I could say;
on past practicalities. By which is meant? You may have heard the story. Someone
is talking, about, it could be, he, she, X or Y, who is so, aware, sensitive,
capable of such feeling which in turn causes: a) individual suffering, this is
always suspect, b) to be such a creative person, the question is, in whose eyes?
The only other buildings besides modern production units (factories) that place
the windows above the eye level are prisons. You don't hear that kind of tale
there, the factory, I mean. Like unused muscles you get to using them less, not
because you choose to; simply because you forget they are there. Who? X, Y or Z,
do you think you are? With your attitudes to have the audacity to question
people who have received the very best that is available, educationally
speaking, that is; and further more devoted a life time's work to it! They know
they haven't won, or lost for that matter, as long as you don't answer. Point is
we all do a life time's work and a few can afford opportunities for devotion,
paid for by those who just work. Work in an environment that prompted this
statement* "I was 25 years old before I knew there were colours in a tree.
Before that I thought they were just plain fucking brown." That is how it can
be, we have autumn curtains in the flat, the sunlight filters through, in
silence.
I have no idea whatsoever if lists exist giving the
number of hours rainfall for Saturdays, and Bank Holidays, they probably could
be compiled, in any case, I've always thought somehow that we are cheated, that
Saturdays and Bank Holidays are above average days for rain, perhaps Wednesday
half-closing people think the same about Wednesday afternoons, some people are
possibly unaware of the importance in Saturday skies, they are fortunate enough
to be above to delay or rearrange to suit themselves. It was raining on the
Saturday we went to find a frame, get the shopping, look in a bookshop, and so
be it, dodge chunks of metal travelling at between 15-40 m.p.h. traffic
transportation, self-destination, whatever you'll call it. "We are all heading
for the same place, hipper, it's like a trip around the world, when you get back
to where you started out from, the journey's all you've had, and I spent 30 odd
years at sea, in one engine-room after another, lived as best I could by a set
of rules that were said to be the only ones that would work, people being what
they were. Now it's all changed I'm told, so I've a few more quid in my pocket
now and again, but it wasn't much of a journey." Old Bert, ex R.N. Stoker, ex
M.N. Stoker, boilerman in the machine shop where I started my apprenticeship,
died some 3 months later, 59 years of age. I passed by the journeys end on a
dark morning at 7.25 a.m. some 200 yards from the main gate of the shipyard
where we worked. There were five or six men stood around a heap of overcoats at
the side of the road, I only saw them at the last moment and had to swerve in
order to avoid the group, nearly running into others on the early morning tramp
to the yard. Someone yelled, "Watch it you mad little cunt." But I saw the boots
sticking out, highly polished as always. In the cycle shed, a match flared, one
of the chain-gang said, "Bert's snuffed it, down the road, only had them boots a
week, too." Then it started raining.
We collected the shopping, browsed in a bookshop, dodged
the traffic, bought (l0p) ample woodwork to enable a frame to be made, it was
already painted red and silver, the frame is made. I haven't answered any of the
questions posed or have I? It's a recollection of freshness; sometimes these
days in a purely personal time, it makes for ... well not art. B's expecting a
child early next year, she says she's happy on that side of things.
See ya.
*Nigel Gray. 'The Silent Majority' (Vision Critical
Studies) 1975, Vision Press Ltd.
IN
PRAISE OF COOKS |
Angela Tuckett |
|
While driving rain joins sky
to earth upon this holiday |
Factories and Parliament alike
are all of them at play - |
(Except the statesmen
organising profitable war, |
Whilst politicians send
another regiment to restore |
Their kind of law and order to
ungrateful folk abroad) - |
See! Unemployed the members of
the Unilever Board! |
No company director toils to
pass a dividend, |
No artist's skill devoted to
the slick advertisement |
Debating the conflicting
claims of Dreft and Surf and Tide! |
Even the copy writer's arts
today are laid aside; |
No lawyer robs his client, nor
the publican his guest, |
And - can it be? Yes! Even the
common people are at rest! |
|
The British common people on
all other days are found |
Providing all the steady work
that makes the wheels go round |
A-weaving, turning, fitting,
making everything that's made; |
So lift your glass for once in
praise of British craft and trade! |
The mason builds the palace,
church and mansion row on row |
But he never gets invited to
lead the Lord Mayor's Show; |
The brickie and the tiler rear
the steeple, tower and dome |
Yet have to fight for overtime
who never owned a home; |
Each dawn the cowman rises and
he plods through wind and mud, |
Beneath that field the veins
of coal are splashed with miners' blood, |
And milk goes up a penny, so
his children go without; |
The Coal Board stops his house
coal, so the miner's fire goes out. |
|
Our Britain's rich in
craftsmen, wherever you may look, |
But one the poets never praise
.E'll praise today - the cook |
It is an attribute of god's
perfection to create, |
Whilst changing human nature
is beyond the powers of Fate - |
Or so they say. And yet the
cook can change the sour to sweet. |
Can soothe the sad in heart
and make the sick sit up and eat. |
Who else each day, through
fair and foul, no matter what is sent, |
Can take the most indifferent
and make it excellent? |
I don't believe in manna, nor
to Heaven we should look, |
I know it's not the Devil but
Mankind supplies the cook. |
Some reverence love of man for
maid, some bank on love of Good, |
But what love is more earnest
than the love of man for food? |
A FEW OBSERVATIONS ABOUT
VOICES GENERALLY
Ken Clay
It seems to me that Voices suffers from too much
didacticism, naive idealism and the worst kind of socialist realism.
1. Didacticism Most contributors feel impelled to
instruct the reader about the horrors of capitalist life. This is a worthy aim
but it really has no place in a journal of creative writing. When didacticism
comes in the front door art usually goes out the back. The proper place for such
writing is in political pamphlets. Unfortunately most Party writers can never
resist an opportunity to have a go. The result is a big yawn, especially as it
is usually read by Party readers who have heard it all before.
2. Naive Idealism: Proletarian writers generally feel
they have to start off writing in the best bourgeois manner they can manage.
This leads not only to a strangled, over-complex syntax and the use of large
words imprecisely, but also the acceptance of bourgeois language taboos and a
rejection of a large part of their experience as unsuitable for literary
representation. They imagine there is so much of working class life that is too
sordid, obscene, trivial or degrading. I can only describe it as the Noble
Savage syndrome and wonder if it isn't perhaps a product of the English
movement's Methodist origins. Everyone seems to be straining to convince the
reader of his purity of heart and, consequently, the goodness of the cause;
again this may have a place in political tracts similar to those issued by the
Jehovah's Witnesses on how I saw the light but isn't it a bit inhibiting when
approaching creative writing? Language becomes emasculated; experience becomes
filtered, processed, cleaned up; truth gets lost. Writers in this bracket aspire
to become accepted by a middle class literary establishment and become corrupted
in consequence. A strange corollary to this syndrome is the notion that literary
incompetence has its own virtue and charm. That it produces, with its technical
inability to deceive or take up ambiguous positions, a transparent goodness.
This leaves the reader feeling totally superior, safe, and at best,
patronisingly benevolent.
3. Socialist Realism: A discipline designed to produce
parables rather than works of art. We've almost reached the stage where
capitalists wear black hats and communists white ones. The writer begins with an
idea and invents people mechanically to act it out. The story loses credibility;
the characters are necessarily two-dimensional but the author's nobility of
purpose is in no doubt. Unfortunately his readers fall asleep on the second
page. By denying all human qualities to bourgeois figures we become unrealistic:
by investing all proletarian heroes with absolute goodness we compound the
error. That's a simplistic account of socialist realism but it's just that kind
of model that proletarian writers seem readiest to latch on to.
Now if these three features seen as virtues, rather than
vices as I have described them above, constitute the criteria by which
progressive writers are judged then it's not hard to see why my first piece
failed. It carried no message; was inspired by no didactic impulse. Perhaps this
is why you thought it cynical.
If anything it was anti-idealistic (using that word in
its everyday sense rather than its philosophical one). The only candidate for
the position of noble savage, young Trellie, is mocked. Nobody represents the
pure in heart. The technique is 'knowing", 'sophisticated", opaque. where the
hell does the author line up in all this? What's his position? It's significant
that you should find that important, and I was gratified to note that you
thought I wasn't a Communist. I have in fact been a Party member for the past
six years.
The proletarian seems to come out badly when confronted
by his bourgeois opponent who even utters such blasphemies as: 'The working
class! What a collection! They imagine they can pick up culture like a pint
pot!' Not a good parable at all. Yet I'd maintain that there's enough rope in
that piece to enable the ageing queer to hang himself ten times over. And that,
despite his inability to manipulate and comprehend the concepts of bourgeois
philosophy, Trellie has an enthusiasm and intellectual energy which eclipses the
shallow facility of his jaded mentor. Maybe all that was too understated. But
aren't we patronising our readers by thinking so? Can we really not leave them
to judge? Have they got to be protected from representations of clever middle
class figures? If that's the case we'll soon be producing the literary
equivalent of a Punch and Judy show.
All this isn't intended to vindicate my piece which may
well have been rejected for other valid reasons. I merely use it as an example.
What I hope I have given you cause to think about is the effectiveness of Voices
both as a platform for proletarian writing and an organ for the good of the
cause. Like you I want to further socialism and I think that creative writing is
one of the most powerful methods available. But to be artistic - and if we re
not artistic we're nothing -we've got to reflect the reality of the proletarian
experience rather than the ideal we suspect it is capable of becoming. We've got
to credit bourgeois culture with its real strengths. We've got to create
credible, even likeable bourgeois characters so that their spiritual bankruptcy
will be all the more evident when it is finally exposed. We've got to be subtle,
complicated: the reader shouldn't be able to say he's reading the work of a
Party member after a paragraph or two. He's got to draw the moral not have it
rammed into his head. And, dare I say it, we've got to entertain, otherwise
nobody is going to read it anyway. I don't want to go into this in detail but
Voices does seem short on that commodity. I think some of the pieces are getting
by on novelty value alone, like a dog walking on its back legs.
I hope you find these remarks relevant even though I
don't expect you to agree with them. They seem to have come out more severe than
I intended and perhaps it's my turn to apologise for being too harsh. It should
be apparent from this deluge, concerned as it is with the negative aspects of
Voices, that I still find the idea of a journal of proletarian writing important
and well worth arguing about.
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