ISSUE 4 - 1973

cover size 296 x 210 mm
NOTE BY WAY OF
INTRODUCTION
This is "Voices" No. 4. It comes in a new experimental
format which may cause raised eyebrows. We cannot here go into details but the
financial and economic factors involved in producing a periodical of this kind
compel us to look into all possible economies. The continued existence of
"Voices" is by no means assured. Our aim is a four times a year production. But
this requires considerably wider support than we so far enjoy. We need more
readers. We need more writers. We need more money. Please do not misunderstand
this. Our support is increasing in all these respects, and we are grateful for
this. But we need much more. The question is: do we deserve more? Does the
poetry and prose in this issue justify a call for support from the progressive
left? We think it does. But you are the people who must decide. If you think
there is room for a committed publication which thinks of writing as a weapon in
the hands of the Labour and Socialist and Communist movement help us. Make us
known. write for us. Write to us. Ask your branch or district Committee to make
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All enquiries to Ted Morrison, 110 Edge Lane, Stretford,
Manchester. (061 865 5862).
REDUNDANT IRON WORKS : MILLOM |
|
|
Strange they were across the
bay, |
Mystic spires of a forgotten
religion, |
Standing awkward at the edge
of a moorland. |
Facing the sea in sombre
austerity. |
|
Where once smoke filled a town
with grimy streets |
And noise and heat aged many
men, |
Where slag splashed brilliance
at dark nights, |
Streaming down unseen paths. |
|
But as the sun slips behind
the spires, |
Blazing streams melt the sand, |
Curving in deep gulleyed
moulds, |
Sweeping carelessly across the
bay, |
The sun's fiery setting
splashing the sand with steel. |
|
|
THE DAWN CHORUS |
|
The death of a river choked by
the phlegm of detergent, |
Panic of oil glued seagulls,
with only a reflex flapping, |
As black pitted oblongs smudge
the skyline, |
Dry faces cough their way to
morning monotony. |
Confusion grabs an old man's
hands, as he stammers between the buses, |
And the poster shouts, 'Oozo
washes whiter'. |
|
ME |
|
What am I? |
A push the other way in the
soccer crowd |
A belly flop in the public
baths |
580/3, a ping in the time
machine. |
Disturbed by the tragedy of
Vietnam |
Horrified at the sight of a
Biafra child. |
I remain the eleventh best
snooker player in Barrow-in-Furness. |
|
A.M. Horne |
BENJAMIN STOTT 1813-1850
It is most frustrating at times when one is trying to
find information about a particular person and all ends seem to be blocked. We
first became acquainted with Benjamin Stott through his poems. We found the
little volume, 'Songs for the Millions' in a bookshop in Stockport. We have
never seen another copy. The poems are not only of a high literary standard,
they also tell us quite a lot about the political opinions of the man.
Fitting the loose threads together, the picture looks
rather like this. Stott was born in Manchester on 24th November, 1813. His
father was a hairdresser and later an auctioneer and came from a respectable
Rochdale family. His mother came from one of the ancient families in the
vicinity of Hope and Bradwell in the High Peak. Possibly they may have been
miners and sheep farmers. Benjamin was the youngest of thirteen children and
when he was under six years old both his parents died. He was brought up by a
maiden Aunt, his mother's sister who worked as a fustian cutter and managed to
keep him until he was nine. He was then admitted to Cheetham's Hospital. Friends
of his father exorted influence to secure this admission. His education before
that had been at the National Free School in Granby Row where he had learnt to
read and write. Although he attended Cheetham's from 1822 to 1827, he apparently
made little educational progress although he must have begun to develop a
facility in the use of the English language of which he made good use in his
poetry.
When he left school at 14, he was apprenticed to a
bookbinder for seven years and he remained a journeyman in that trade until he
died in 1850 at the early age of thirty seven.
We can only sketch in the blanks in his political life.
He dedicated his poems to Thomas Slingsby Duncombe. He wrote of the
"disinterested patriotism and eloquent advocacy of the rights of suffering
humanity" which he said would "be cherished by, and live in the hearts of,
generations yet unborn". Slingsby Duncombe was a well known Radical Member of
Parliament.
Benjamin Stott apparently only left his native
Manchester once in his life and that was to go to a conference in the Isle of
Man. He went there representing a society to which he belonged. We know that he
was a prominent member of the OddFellows Friendly Society. He wrote a long poem
extolling the virtues of that Society:
"Blessed OddFellowship : thy aim and
end Is to promote the peace of man on earth, The sick to cheer, the friendless to befriend".
There was, however, in December 1829, a Spinners'
Conference on the Isle of Man at which an attempt was made to form one "grand
General Union" of all spinners. John Doherty, the leader of the Manchester
Spinners returned to Manchester imbued with the idea of forming a much wider
movement. It is not impossible to conjecture that Stott as a well known radical
poet, attended the Spinners' Conference. His interest in the Trade Union
Movement is shown by the poem that he wrote in memory of John Roach, a
Manchester boiler maker. The verses were printed and sold to Union members.
Stott called John Roach "A son of labour - a true democrat - a firm friend - a
determined advocate - an unpaid patriot - a pure philanthropist and an honest
man."
"Shall we forget", he asks, "with that
undaunted brow, Though dared resist the foes of labour's rights?
Shall we neglect those virtues to avow Which shone in thee and are men's chief delights?"
During the 1830s, the Bookbinders' Consolidated Union
was passing through formative struggles and the Manchester Branch took the lead
in attempting to coordinate the activities of the different Lodges. It is
possible that Stott, having attended the Spinners' Conference and accepted the
ideas of general union, played no small part in these Union affairs. In one
poem, "Beware ye white Slaves of England" he tells the people to
"Be firm and unite, but be cautious in
words, On your prudence depends the success of your cause.
Much of Benjamin Stott's writing echoes the stirring
calls of the French Revolution - the demands for natural rights that were voiced
by Thomas Paine. His poetry was obviously influenced by Shelley and Byron and it
reflects his deep sympathy with suffering, injustice and oppression in their
manifold expressions.
At the Sun Inn in Long Millgate, the Manchester and
district literary circle held meetings to exchange views and appraise each
others writing. The poems read at one of these meetings held on Thursday, 24th
March, 1842 were published in a slight volume called "The Festive Wreath".
Benjamin Stott contributed a poem in memory of William Grant, one of Dicken
Cheeryble Brothers who had recently died. One of the circle, William Axon,
thought sufficiently highly of Stott to walk to Northenden Churchyard soon after
his death in 1850 and copy the inscription on the tombstone. It read:- "Here
resteth the body of Benjamin Stott, of Manchester, who died July 26th 1850, aged
thirty six years. He was an influential member of the National Independent Order
of Odd Fellows, and by them much esteemed.
"Pause, gentle stranger, for a man lies
here Whose hand was open, and whose heart sincere To truth and kindness rendered homage due; His friends were many, and his foes were few. Errors he had, but they were such as he In the frail nature of humanity; Virtues he had, but they were such as claim No noisy greetings from the voice of fame: His virtues we remember, but the rest We leave to Him whose mercy doeth best."
from 'Songs For the Millions - Benjamin Stott
Gaunt Famine Rides Rampant |
|
Gaunt famine rides rampant
o'er all the land, |
And none but the drones can
his power withstand; |
The industrious bees that
produce the wealth |
Are his victims alone and he
kills by stealth; |
For the wounds which he makes
they never bleed, |
Although they are painful and
piercing indeed; |
But the wasted form, when the
soul is dead, |
Tells the tale that it died
for want of bread. |
Oh, gracious God, that governs
all, |
Thy attributes are wise and
good; |
Arise, and make the tyrants
fall, |
That rob the poor of life and
food. |
|
How hard is the fate of the
suffering poor, |
What toil and privation, and
pain they endure; |
And yet they are patient,
forbearing, and kind, |
Though the drones of the earth
are against them combined; |
Humanity shudders with grief
and despair; |
When it thinks and reflects on
their woes and their care; |
And the heart of the patriot
burns with desire, |
That the days of their
thraldom may quickly expire. |
Oh, gracious God, that governs
all, |
Thy attributes are wise and
good; |
Arise, and make the tyrants
fall, |
That rob the poor of life and
food. |
|
It Comes! It Comes! |
|
It comes! It comes the
glorious day, |
When holy freedom shall
prevail, |
When battle strife and bloody
fray |
Shall be as a forgotten tale - |
When virtue shall triumphant
rise, |
And vice be swept from off the
earth, |
When man shall look up to the
skies, |
And bless the God that gave
him birth - |
When joy, and charity, and
peace, |
And love, shall cheer the
human heart. |
|
|
Odd Fellowship |
|
|
Blessed Odd Fellowship! thy
aim and end |
Is to promote the peace of man
on earth, |
The sick to cheer, the
friendless to befriend. |
Oh! that my yearning heart
could speak thy worth; |
Thrice happy they who unto
thee gave birth; |
A glorious reward is theirs to
gain |
In that immortal life where
neither dearth, |
Disease, nor famine ever more
shall reign, |
Nor grief nor misery shall be,
nor aught of pain. |
|
Benjamin Stott |
|
Ruth and Eddie Frow |
ON AN ABANDONED GARDEN |
|
Against the pallette of
evening and ungracious |
Shadows of the lamp,
flickering with flirtatious, |
Crack-squeezed, wintry gusto,
I see her shape; slightly bent, |
With pinned-back hair,
savouring every name and scent |
Of gay-paged,
lustrous-catalogued bulb and seed. |
Child-implanted, she waits the
barren winter |
For those other, ordered
seeds; emerging into |
Life once planted, tended,
nurtured by Mother earth; |
Coinciding with her natural
fledglings birth; |
Satisfying her every creative
need. |
|
He, the proud, expectant
father, quietly musing |
On her fruitfulness,
encouraged her, by choosing |
Delights remembered from her
Mother's old home-place; |
Sweet-William, lemon-lies,
peonies; her face, |
Tear-suffused, recaptured even
happier days. |
She sees each garden as
another friendly farm, |
Joining, branched from the
road's narrow, brown-ribboned arm, |
Valley-dissecting, to the
town. Her bonds growing |
In her new home-place, tending
her gardens knowing |
Both are miracles of Natures
many ways. |
|
Though grave-unknown, these
many-long years departed, |
The legacy left by her small
garden, started |
In joyful years, is shown on
hillsides all around; |
Confines burst, spreading,
colour-carpets now abound. |
If she were here to see her
mind's eye picture, |
She'd see the bounty wrought
by half-a-hundred years; |
Would know her presence
lingers; would shed joyful tears |
That fruitfulness, whose
too-brief joys she'd tasted; |
And careful-plantings of those
years were not wasted; |
Would know her valley's
sojourn made it richer. |
With each nodding
daffodil I feel her presence; |
A kinship with
that country woman; an essence |
Abounding, as the
fragrance of foot-crushed flowers |
Arises with each
step. In the voice of showers |
Each glorious
Spring; every blossom-bending breath |
Of breeze whispers
her name; informs of her living |
Still; she who
laboured in this garden, giving |
This valley extra
life. It is almost as though |
She knew she would
be returning later. I know |
She has indeed
achieved a life after death. |
|
Alf Edwards |
BEING AN IMPROBABLE CONVERSATION OVERHEARD THROUGH THE
HALF-OPEN DOOR TO A PREMATURE BABY UNIT
First Voice (high & clear)
They've gone now ... the Doctor and the Sister.
Everything's quiet now...
Second Voice (Clear & high)
Yes, it's lovely to be quiet ... Warm, wellfed,
comfortable, almost as if you'd never been born
First Voice (Sadly)
Some babies are born wanted, some unwanted, some are
just born, and some, like us, are born too soon
Second Voice (Cheerfully)
Yes, but we stand a good chance of surviving don't we?
They've made great advances in the treatment of premature infants they say don't
they?
First Voice
That's quite true. They can create conditions that are
almost perfect, almost like those of our mothers before we're born. They can
give us the right degree of warmth, piped oxygen, injection, blood exchange
transfusions, tube feeding, everything necessary to make up for our premature
births ...
Second Voice
And when our weight is satisfactory and general
condition is good, they can discharge us to our homes
First Voice (Harshly)
And that's the rub ... Here we're kind of prisoners, but
happy prisoners Home is another kind of prison for some of us, cold, grimy,
airless, sunless, a twilight area
Second Voice (Uncertainly)
But they send a Home Visitor to see if the conditions
are suitable don't they?
First Voice
Oh yes, they do that, but the report has to be pretty
bad to keep you here, and even then, you have to go "into care". They leave it
largely to your parents to make the conditions suitable ... And sometimes that's
impossible...
Second Voice (Fearfully)
Oh, I don't know anything about mine... Do you know
anything about your home conditions?
First Voice
None of us know anything. It's called an accident of
birth ... Some go home to a basement flat, some to a semidetached.
Second Voice
But if it's an accident why doesn't somebody do
something to prevent it? What about the doctors and nurses? Their work will be
wasted
First Voice (sadly)
Some don't even think that far Some do, but haven't the
vision to tackle such a huge problem. A few, very few try to work in
co-operation with all the other folk interested in environment, housing,
education, to make it less of an accident and more of an opportunity
Second Voice
Somebody said children are the flowers of life ... but
many a flower will never bloom if it's like you say
First Voice
That's true. Lots of babies are deformed or stunted,
mentally and physically. Never expand, never reach their full height, never
enrich the earth, are never unreservedly glad they were born ... Yet they could
be, all of them, if only
Second Voice (Hopefully)
If only, if only what?
First Voice
If only the weeds of poverty and ignorance, exploitation
and greed were wrenched from the soil of our environment ... Then every baby
born could flourish ...
Second Voice (Joyfully)
And flower ... Flourish and flower.
(A pause - silence for a second)
Second Voice
Listen, listen, music, I can hear music. Can you?
(Softly very softly the strains of music are heard. It
grows in volume, and the words become clear
"These things shall be; A loftier race than e'r the
world hath known shall rise...
W. Froom (Mrs)
A GREEK TRAGEDY |
|
It yawns there making me
giddy, this huge hole |
I blink my eyes and the
strange unmoving figures, grotesquely dead; move again. |
Personifying death,
Matrantonis kills his soldier, personally flattens with |
his tank the student, and the
gates. |
Inside; the Polytechnic runs
with blood; |
Rape and death and mutilation
skip with torture through the streets, |
Assemble in the World Cup
Stadium, and refereed by F.I.F.A. enjoy the game |
with the captured brave. |
U.S.A. and C.I.A. bland
British F.C. and special branch, spectate and cheer. |
In Kraticon, the colonels
emissaries burst in, |
Chase and club the wounded
through the bandages, who with democracy, die. |
In the name of N.A.T.O. and
world re-action, fascism solemnly seals in |
blood again, its firm resolve
to enslave first Greece |
And then you, and you, and
brother you, and sister you. |
Oh mighty Zeus bless these
true sons lying murdered here, |
And my comrade who Matrantonis
killed, and with your bolts protect those |
who remain. |
|
Frank Parker |
PASSING THROUGH
He was polishing his shoes with fierce concentration,
with short sharp light strokes, of the brush, his interest in this nightly
ritual was so intense as to render him deaf to his child's repeated cry for
attention.
"Dad, Dad, Dad?"
The woman sitting by the fire looked up. For a moment
she gazed in silence, watching the arm moving backwards and forwards over the
shining, well-worn leather. Her eyes were inscrutable. Her voice, when she spoke
was tinged with a hint of scorn.
"He's talking to you His head jerked up guiltily.
"What son? What do you want?" but the little boy had
already vanished, his incessant questioning forgotten by the magic cry of
"Cartoon" from the front room, where his two sisters were watching the
television.
"You never listen do you?"
"I never heard him luv".
"He spoke to you three times."
He decided on retreat as the best strategy, and walked
out into the back kitchen. He whistled as he filled the kettle. "Where's the
coffee luv?"
"Outside in the bin", she answered flatly.
She raised exasperated eyes to the ceiling as she heard
him open the door into the yard. "It's on the shelf, where it usually is,
stupid". "Sarcasm is the lowest form of wit, my love", he replied as he shut the
door again. He hadn't really believed her. He was just playing along. He
recognised the signs of battle, and he was a coward. It suited him to play this
role tonight. Last night's repartee had upset him, so much that he had a whisky
as soon as he entered the "Club", instead of leading up to it with five or six
pints. Women, there was no understanding them. He worked hard, was always ready
to lend her a few bob when she was stuck, took her out on Saturday night, yet
she still pulled her face when he went out for a pint through the week.
The boiling of the kettle interrupted his indignant
thoughts. "Do you want a cup luv?"
"No", her answer was short, but said more than it
implied. Stick your rotten coffee, and don't come trying to get round me, you
won't get a pat on the head. These thoughts chased bitterly round in her head.
He came back into the room and sat down opposite her. He placed his mug of
coffee onto the mantlepiece, and reached for his cigarettes.
"Want a fag?"
"No thanks, I've got my own." She had transferred three
of his to her own packet, while he had been busy making the coffee. "There's a
good turn on at the club on Saturday."
"Is there?" She conveyed her lack of interest by not
raising her eyes from the book she was reading.
"What are you reading?"
"A book."
He regarded her through narrowed eyes, and blew out
clouds of smoke. He didn't speak. He recognised defeat. He decided to ignore
her, but knew she wouldn't let him.
She didn't, for long. After a few minutes of silence on
her part, and tuneless whistling on his, she raised her eyes and looked at the
clock. "You'll be late won't you, it's seven o'clock." She spoke dryly; she knew
he didn't go out quite as early as this. What she meant was - Don't dare, and he
knew it. If she had ventured to say this out loud, he would have retaliated, and
dared, to prove that he was a man, and not ruled by his wife. She knew this, and
thrust home her ironical comments, with a thinly veiled sarcasm, which didn't
help the situation, but nevertheless made her feel better.
He didn't answer this comment. Hew was a shrewd man, and
knew the value of silence at a loaded moment. Like so many women, she couldn't
keep her mouth shut, even when she knew she was beaten. She would go down
fighting. She justified acts of dishonesty - like the secret pilfering of his
cigarettes with the fact that he had more than her, and if he could afford to go
out drinking most nights, and she had to juggle with her housekeeping then this
was justice. It was the class struggle, on a smaller scale. He was the party in
power. Politics a wage war in most working class homes -money, struggle for
survival, conflict of personalities, the don't do as I do, do as I say, policy
of most parents (on a level with the Capitalists towards the workers). We are
told money isn't everything, from those who have it, but this is a great asset,
and would help bridge a gap, between classes. The bridging of this gap is feared
by Capitalists. Children, unfortunately stand as the main, conflict between man
and wife. How many women have said - Wait till the children are grown up - just
watch me. Perhaps men secretly fear this, and while they hold the whip hand,
however lightly the reigns are held, it will be a drop in status - once the
birds have flown, and one should feel a certain amount of pity for the
floundering party, who has brought about his own downfall.
After a considerable silence in which she escaped into
her book of poems, and he smoked and watched her. Keeping an eye on the enemy,
he decided it was safe to move. He rose from his chair and stretched. "What's up
that you didn't have your usual after tea sleep tonight?" she asked.
"Oh for god's sake, shut up", he threw caution to the
winds. She was secretly delighted at this retaliation. It was what she wanted.
She couldn't change him, so she goaded him into displaying the worse side of his
character. She was intelligent enough to see that these tactics lowered her own
behaviour, but was past caring. She was developing into a nagging wife - an
expression invented by men to hide their own selfishness.
Having delivered his parting shot he went upstairs for a
bath, or thought he did. He bellowed from the upper regions of the house.
"Who's
had a bloody bath? The bloody water's stone cold, Christ it's four days since I
had one, I'm supposed to have one every day y'know, of course I don't count, I
only bring the money in - Jesus."
His disapproval was given greater emphasis by his feet
stamping around the bathroom.
His wife, feeling that round one had been won, shouted
sweetly up the stairs.
"Mrs Jones next door said she's sorry you haven't been
able to get a bath."
The bathroom door slammed. The front door opened, a head
peeped round enquiringly.
"Is my Dad in?"
"He's just passing through luv, just passing through."
"Oh never mind."
Thus answered, but not enlightened, the head
disappeared.
Jean Sutton
FRANCES THOMAS, now aged 9. Used to live in Walmer
Street, Rusholme which is being knocked down. Now lives in Wythenshawe. These
words are exactly what she dictated to me in answer to the question, "What do
you want this story to be about then?" I have not added or changed anything, but
perhaps two points could be explained:
"Ten bob winders" refers to a window shaped like a 5Op.
piece "Stashun dogs" = Alsation dogs.
R.G.
WALMER STREET
House shop fish and chip shop bookies Pet Shop Motors
Men - no women women! Winders getting smashed. Lickle girls going to bed.
Mummies going to bingo, and all the houses are coming down. boys going to pubs.
big men going to work. ten girls going to pubs with fellers -boys. Bombed houses
+ cellars + people goin in it. Bockles gettin smashed, lorries crashin, people
servin in the shops. big girls gettin dressed up. Red doors with ten bob winders
big girls ridin in the bike. Old men and women, Men drivin in cars an crashin
(have we got that) Nice curtains in the winder. Green houses with pink curtains,
blue door with blue curtains an green leaves. Dogs are gettin run over.
The men are just about movin in women wheelin a pram
with no baby just shoppin. boys goin with men to pubs. boys goin to army cadets
like my brother, black men with white girls, skies are blue and white an red
sometimes. Clubmans like you get things off for the kids, like dresses and
skirts and shoes and boots and high heel shoes and couch furniture and he comes
in a green car and little girls washing dishes helping their mum. Old men ridin
bikes, lickle black girls runnin to the Bendix and well have somebody lookin
out, of the curtains - like somebodys just looked out. Chimbleys are smoking -
that means the fires. we'll have white men going with black girls and we'll have
driving in the afternoon and night and morning. (guess what Im on - 5a - Im in
the juniors) lickle babies have dummies an we'll have one raggy man saying
ragbone Like that man (pointing) he's a raggy man. An we'll have 430 on a car,
an we'll have drunken men (man looks round sharply) -drunken men singin in the
night carryin little girls. The men are kidnappin little girls an the women are
cryin an the police have gone to find the kidnapper who has kidnapped the lick.
girl.
Bricked up houses, doors open, women walkin by an cars
running by + stopping on the main road. Boys runnin to the ice cream man,
lickle boys about 10+11 will go to school tomorrow. Dogs birthday + the dogs
about 1 2 or 3 yrs old. Stashun dogs come an bite you.
Frances Thomas
"CHILDREN" AND CHILDREN |
|
A.S. Neill "There's no formula
- I just approve of children." |
|
|
Botty on potty |
Every day try |
Your beloved baby |
Shall be clean and dry |
By one" |
|
Watch the child of one, a
voracious explorer, a pioneer |
All day he will gather
information in his hands and mouth |
By tomorrow he will have filed
away the lessons of today |
And be reaching for more,
sensual antennae on full scan |
No apprentice adult, no
ignorant pupil in need |
He is the unfurling bud of a
noble being |
Not made to be baulked by
behavioural patterns that please |
Wandering his own road, he
will arrive safely |
Not fool enough to take the
motorway and miss the scenery |
He discovers that buttons are
inedible by eating them |
He does not make abstract
judgements on speculation |
|
Spare the rod and spoil the
child |
Manners maketh man |
Children should be seen but
not heard |
Monday's child is fair of face
..." |
|
A seven year old who takes in
the workings of genes |
Listening with tense
concentration to the paid out story |
Discovers an intricate magic
in the factual jigsaw |
She searches the eyes of
everyone she sees for proof |
Of genetics in their
criss-cross linking games |
She follows a family's
hairlines for Identikit sessions |
And compares the wrinkles in
the ears of her cousins |
She describes penis and vagina
easily, lovingly |
Knowing the fundamental
purpose of each, and approving |
She finds the revolving earth
cause for shouts of surprise |
Grinning at the sun she has
learnt the history of today |
Squinting up skywards,
trusting its omnipotence |
Storks and Cabbages |
Willie" and "Dicky" |
Number one and Two |
"Tinkles" and Wee-wees" |
|
A child who is freely in love
with her father and brothers |
And loves the sex comfort she
gets in her mother's lap |
With its odours of warmth and
fish-smell mingling |
Will search diligently, with
arched back, for her own vagina |
|
And finding it, will touch and
memorise its shape |
Run to tell her mother that
today's miracle is herself |
And be the object of a family
celebration |
|
She will envy her brother his
penis |
For the prestige of the
high-splash game |
And the joy of aiming a jet
with precision |
Yet selflessly concede his
greater need |
Having an unblemished concept
of father |
She can love without wishing
to possess |
She thinks dirt is found in
the garden, is good to touch |
She has a map of her interior
and thinks it a precious place |
Blue and green should never be
seen |
Lovely darling, but what is
it? |
I'll show you how |
But a man doesn't have three
ears, dear!" |
|
As with fireworks, hand a
child a paintbrush and retire |
You are too steeped in
surviving, your awareness dulled |
Of what it was to draw on and
from the palate in your head |
To offer guidance, that
velvetest glove of conformity |
The thickening buffer of your
daily compromise disqualifies you |
Stay your lying hand, only
stand in privileged silence |
Soak up what your moulded mind
can absorb, and learn |
Learn, that without a polite
mask, the child is honest |
Without a sophisticated
vocabulary, the child can speak |
Without the mystique of
expertise, the child has confidence |
And a courage he is unaware is
vulnerable. |
We were sharpened with
blindness and ignorance |
Twin weapons of our inherited
oppressors |
And we prick our road through
wounded contemporaries |
It's no mitigation for maiming
our children |
That they have no justice on
call to deter us |
From reconstructing our
wretched egos in them |
In them, who have the same
singular flight that we aborted |
To leave the deserted wrecks
of our dreams |
Sinking bitterly in bilious
pools in our memories |
We would well decoy our
meddlesome fingers |
Into reshaping, unlearning our
own aimless ways |
Away from patrolling our
children's boundaries |
Which, unguarded, would recede
to infinity |
They have only one life -
their own. |
|
Vivien Leslie |
|
POEM FOR A GIRL FROM AFRICA |
|
I don't know why I am writing
you a poem |
I am not in love with you - I
don't even know you |
They say you come from Africa |
I have seen you run like a
gazelle |
They say you have the world at
your feet |
And I can believe it |
You remind me strangely of
someone I used to be |
I was very young - even
younger than my years |
And I thought I only had to
grow and bide my time |
Till I was the greatest
athlete the world had ever seen |
I wanted to be Tarzan |
Flying through the trees |
Running through the jungle |
Friend to all the animals |
Keeper of the forest |
And I thought I only had to
grow |
And bide my time |
|
Living amidst the din of
industry |
Inside the darkened walls |
Where machines rumbled |
And dust filled the air |
I was the urban gorilla |
Hybrid of hybrids |
Emerging from the gloom |
And furnished rooms |
And posters of last year's
dances |
Picking my way barefoot |
Over broken bottles and rusted
cans |
A bear with a sore paw |
|
Oh I had a mind too |
That used to play the game. |
With all the gravity of a joke |
I knew how to fall |
Into a yawning silence |
|
And then I started to learn |
And learning is the loss of
innocence |
I could show you where the
paths led to |
I could take you to where the
trees grew |
Please tell me, |
Have you ever seen |
An elephant's graveyard? |
|
Yes, I learned where the trees
grew, |
Spring sadness in the big
green leaves |
That grow bigger and greener |
Until the city is too small
and grey to hold them |
As well as a boy's dreams |
|
So I travelled far and wide |
Sometimes in the frozen north |
Where my body ached with the
cold |
Sometimes there were
mosquitoes and monsoon |
And my body withered in the
heat |
Or trembled with the fever |
Sometimes I slept on stones |
Sometimes on branches |
Sometimes on hard floors |
I was not kind to my body |
But I was young and I though |
I only had to bide my time |
|
But now I know better |
You cannot be a strong man |
As well as a runner |
You cannot be a man of the
jungle |
As well as a man of the north
country |
Because in the land of the sun |
There were insects that bit me |
And I suffered and sweated |
Until my body said, "No, |
You are not Tarzan |
He only exists in comics |
You cannot be a black man |
"As well as a white man." |
|
So here I am again |
Pacing the floor of my cage |
|
They say you come from Africa |
You have the white man's world
at your feet |
I have seen you spring like an
antelope |
In a white man's zoo |
|
I suppose I just wanted to ask |
If you ever thought of
escaping |
|
Rick Gwilt |
CLEAN-UP JOB
Manolo pushed his Cleansing Department handcart through
the empty streets. It was early morning and the only noise was a distant rumble
of steel tracks, as a tank several blocks away rattled over the cobbles.
Every twenty yards Manolo stopped the cart and advanced
with a hard-bristled broom, sweeping the rubbish into a neat pile in the gutter.
Then he swept it into the handcart, using a battered old tin scoop.
Today's rubbish was different from usual. Naturally,
there was the normal daily accumulation of cigarette ends, paper, straw and
other debris, but there was additional garbage. Manolo looked sad as he swept
spent rifle cartridges into the tin scoop. This was the debris of death and
destruction. Broken glass, shattered wood from window frames, a dead black cat -
caught in the crossfire, no doubt. Dozens of empty cartridges glinted in the
early morning sun.
There was a woman's handkerchief lying in the centre of
the street. It was embroidered 'CF' in gold thread, and stained with dark blood.
Manolo picked up the pathetic reminder, a cold memento of human agony, and
dropped it into the handcart. As it fluttered down, Manolo made the sign of the
cross on his chest. God rest the soul of CF, whoever she was. But how could
Manolo believe in a God in whose name this horror had been committed? It was not
possible.
Manolo was a conscientious worker, and this sadness and
despair was slowing his task. He dismissed his thoughts of the previous day's
events, half-heartedly began to whistle, and swept with faster strokes of his
broom.
It was only when Manolo arrived at the Plaza del Sur
that he again took a pause. He stopped the handcart and looked at the body that
lay in the gutter, his gutter. It was the body of a man, lying face-down, but
Manolo recognised that old brown corduroy jacket.
Slowly, he approached the corpse and reached down to the
head. Pausing a moment, as his fingers neared the short-cropped black hair,
Manolo took a deep breath, heart quickening, and turned the cold face towards
him. A large tear ran down Manolo's cheek.
"Why this? he asked, softly, "Why,
Carlos, why?"
The corpse remained silent, but a voice spoke sharply
from behind Manolo.
"You Get up!"
Startled, Manolo turned, standing slowly to face the
steelhelmeted soldier who pointed that ugly black weapon at his stomach.
"Did you know that man?"
"We drank together at the Bar Paradiso," replied Manolo.
"What will I tell his wife?"
"Tell her not to associate with traitors in future". The
soldier smiled, cruelly. He evidently found his own remark amusing. "Now get on
with your work."
But Manolo was looking at the body of Carlos again.
"Surely," he said, speaking slowly and deliberately, "Those who supported the
President cannot have been traitors. The traitors are those who murdered the
President, and are still shooting such loyal people as Carlos."
"You mean that the army are traitors?" asked the
soldier, finger hovering over the trigger of his machine gun. "Well?"
"I don't understand what is really happening," answered
Manolo. "But if it is true, as they are saying, that the army murdered the
President, then - yes, I say they are traitors and assassins."
Less than half an hour later, Manolo sat in a large
green lorry with twenty other prisoners, speeding out of the city on the main
road southwards. He still clutched his broom, but was anxiously wondering about
his handcart. When he was marched away, Manolo had left the cart in the Plaza
del Sur. It was Cleansing Department property, and his responsibility. According
to the sad-faced men around him, they were being taken to be shot. That would
happen to his cart? The lorry turned off the main road, and bumped over a rough
road, stopping near a clump of trees. Another lorry, empty, was just leaving the
spot for the return run.
Juanita busied herself about the house, listening to the
ancient radio on the kitchen table. She was pleased. It seemed that the fighting
had finished already. So there would be no civil war, after all. Juanita was
also pleased because she had a surprise for Manolo when he returned from work.
It was his birthday, fifty-two years old, and she had bought him a scarf.
Yes, it was good that there would be no civil war. And
the man on the radio was very reassuring. It seemed that the army knew what they
were doing. But Juanita had no interest in politics. Whatever happened, whoever
was in power, it could not affect her, could it?
Under the trees, Manolo stood at the end of the line of
men, facing the ugly tripod, manned by a bored-looking soldier. Still clutching
his broom, Manolo muttered to himself. "But it's Cleansing Department property.
The handcart's my responsibility. What am I going to do?" He raised his hand to
cross himself, but lowered it again without doing so.
The soldier braced himself for the recoil and squeezed
the trigger.
Juanita turned off the radio. The news did not affect
her, and there were more pleasant things to think about. Manolo would be pleased
with his scarf. She polished the kitchen tiles and began to sing.
Gareth Thomas
AGITPOEM NO. 8 - BROMLEY |
|
Along the tidy streets |
are tidy lawns, |
Beyond the tidy lawns |
are tidy houses, |
Inside the tidy houses |
are tidy people, |
Within the tidy people |
are tidy minds, |
Behind the tidy minds |
are guns. |
|
Bob Dixon |
|
LEAVE ME ALONE! |
|
I don't want to hear about the
poor |
(who are always with us,
anyway) |
- I had rather help the deserving. |
|
Don't ramble on about
democracy. |
Firm leadership is what we
need |
- you can't change human nature.
|
|
Don't mention equality to me. |
I am one of the elite. |
My motto is "Noblesse Oblige". |
|
Don't bother me about liberty: |
I am for law and order. |
Strong bars ensure our freedom
best. |
|
Don't shout at me about
justice! |
Whisper to me softly of
charity and hymns. |
God forgives us, fortunately. |
|
Bob Dixon |
|
PORTRAIT OF AN ECONOMY |
|
Says the ivy |
to the oak, |
"BROTHERLY LOVE!" |
- and hugs it close.
|
|
Says the leech |
to the fish, |
"PEACEFUL COEXISTENCE!" |
- and clings the tighter.
|
|
Says the louse |
to the dog, |
FRATERNAL RELATIONSHIP!' |
- as he drinks his fill.
|
|
Says the boss |
to the worker, |
"MUTUAL BENEFIT!" |
and squeezes him again. |
|
Bob Dixon |
|
|
IDEAS |
|
Ideas are awkward things: |
only cause trouble. |
|
We had an idea once |
but it wasn't house-trained. |
In the end we had to get rid
of it. |
|
Some of them will only go
their own way. |
You can't do anything with
them. |
Some never get domesticated |
Or even tamed. |
I had a friend who was savaged
by an idea |
That got out of control. |
You wouldn't call them man's
best friends |
-exactly |
|
They only cause trouble: |
Galileo, Darwin, Marx - they
had ideas |
And look what happened. |
|
You're better off without them
altogether - |
Live a cleaner, healthier
life. |
You have more money |
And more - and better -
friends. |
Ideas come between people, |
Destroy friendships and
families |
And set the hand of brother
against brother. |
They're awkward animals. |
|
You have to admit - you're
better off without them. |
They only cause trouble. |
|
Bob Dixon |
A MATTER OF FORM
There were seven of them. They tumbled out of the
underground train with a cheer, "Let's go!" Seven of them, their boots
clattering up the elevator, shouting at the late night courting couple on the
down elevator. "It's gone!" "Never mind you can always stuff her on the
platform", - "After you mate!" Seven of them pushed past the ticket collector.
"Get stuffed," - "We've all lost our tickets."
It was late. The ticket collector didn't argue. There
were seven of them. They burst out into the cold night air. "Up the
gunners!" But the street was empty, just one car growling in the distance;
otherwise the street, cold and damp, echoed their footsteps; the orange street
lamps casting a smoke-like halo in the mist. The city like some mist-hung poem
of desolation gazed back at them, empty and unyielding.
For a moment they all stood quietly on the kerb
listening to the roar of the night. Filled for a moment with the sense of
oppression and of their own insignificance, "Chalkie" the oldest, a red headed
sixteen year old, half heartedly kicked a Coca-Cola tin along the gutter, its
clatter for a moment breaking the stillness and the sense of loneliness, he
quietly muttered, "It's a piss off isn't it."
Nobby shifted his feet, blew out into the night air and
watched his own condensation. "Yeah you're not kidding." Nobody moved, nobody
wanted to call it quits and go home. The whole evening had been a 'piss off'.
They had hung about outside a disco. No-one had enough money to get in, but they
still waited. Something might have happened to break the boredom. They had
shuffled their feet and shouted at the girls going in, but nothing had happened;
then of course the "fuzz" had come hustling them, telling them to either go on
or "clear off" or they'd be done for loitering, so they went off wandering round
the area, but it was all 'a piss off'; no money, nowhere to go, a right drag, so
they had come back home before the tubes stopped running.
"Let's loon around for a while", said Chalkie. "See
what's happening", He made off, walking slowly down the main street, the rest
followed without a word. "Jumbo" punched a cigarette machine as he passed and
Nobby fumbled in his pockets singing to himself:
"Well yer mother don't care All right, all right, all right, And yer daddy ain't there All right, all right, all right."
A couple of the others joined in singing as they
aimlessly wandered on. "Hey look fellas", Dave pointed at a notice on the wall.
The others gathered round, more as a matter of form than of interest. The object
of Dave's attention was one of the National Front's posters, showing a Union
Jack with the slogan "SEND THEM BACK" printed in bold letters across it.
Somebody had added at the bottom in pen "No Englishmans' jobs for black wogs."
"That's against immigration innit?" mumbled Chalkie,
without much real interest. Nobby sang out "Black, black, send them back, white,
white you're all right."
Chalkie, seeing a chance for a laugh sprang out of his
trance and crudely imitating a West Indian accent carried on, "None of der lip
man" and to a chorus of laughter from the others he flicked his lips, while Ken
swung from a lamp post scratching underneath his arms like a monkey. They left the poster and continued walking as Nobby
explained about some Pakistanis living in his block:
"Yer, and this Paki grub - it don't half stink, don't
it?"
"Not half", chipped in Jumbo, "They eat bleeding cat
food, don't they?"
"Filthy bastards."
They carried on past the blacked out front of Woolworths
with Nobby clicking his fingers and carrying on with:
"All right, all right, all right,
All right, all right, all right."
A police car drove slowly past, its occupants staring at
the boys but it didn't stop, just driving slowly on, slipping along, down that
desolate highway.
"Stinking old bill", muttered Jumbo beneath his breath,
"Pigs off!" They reached Putney Bridge and began leaning over the side, peering
down into the murky water of the Thames. Its inky blackness hardly showed any
movement beneath them. Jumbo affected the accent of the middle class,
"Anyone for a swim chappies?"
Dave the blonde-headed one joined in.
"I reckon you could walk across that, they say that it's
so polluted that if you fell in you would have to go to hospital."
Nobody answered. Their moods and interest in things
altogether lacked consistency. Things interested them for a very short time
indeed. They would buy a record and a week after they never listened to it. They
would go and see "Clockwork Orange" and for maybe up to a month afterwards they
would be wearing 'bowlers' and calling each other 'my druggie' then it would
fade out to be replaced very quickly with something else. Nothing really meant
anything. It was all a 'matter of form , as Dave the more philosophical of the
group would call it. Things came and things went, different birds, different
discos, different sounds flew past. It was all there to be taken or discarded as
they wished and they did so wish. The only thing that was missing, somehow
stolen, was their youth, but there was always something to replace it. But there
were times, there were these moments of silence, when somebody would come up
with -"It's a piss off innit."
They moved away from the side of the bridge almost shy
of each other, awkward, with only the sound of their boots on the paving stones
to reassure them. Nobby started clicking his fingers again, breaking the spell,
"All right, all right, all right."
Then they saw him, coming over the bridge towards them,
a youth like themselves, maybe he was seventeen. He wore flayed trousers, a
tartan cap and he walked with a brisk swing in his step. Like them he also
probably thought it was a 'piss off', but unlike them, he was black.
Maybe if he hadn't done what he did, nothing would have
happened. Nobby just rubbed his hands together. "Hallo, hallo", his voice was
hard. The youth stopped in his tracks, the boys fanned out across the road
slowly walking towards him. Then he did it. Without a word he turned and ran.
The boys yelled triumphantly and with a thunder of boots on concrete set off
after him. There was something self-hypnotic in the motion of running, their
eyes became glazed and their nostrils spread, and a hatred flared up to an
insane, almost sexual lust. "Black bastard!" they shrieked as they pounded after
him. "Ba-aa-stard."
The black youth dived down some steps at the north end
of the bridge, closely followed by the pack, but he took the wrong turn and
found himself with his way blocked by the closed park gate. The boys found him
terror struck, his eyes wide and white and his hands showing white as he held
them up in front of himself. "No man please", he stammered. "That for you pick
on me, I done you no harm."
"Gonna do you, black bastard", growled Jumbo, and he
smashed his fist into the black face. "Stick the bloody boot in", screamed
Nobby. They began to push and punch him. One of them snatched off his cap and
threw it. It went into Dave's face. He caught hold of it and glanced down. It
was wool, hand-knitted and still warm. It all seemed like some dream. He looked
at the others as they pushed and punched the black bloke.
Suddenly they did not seem to be the same friends that
he knew a few minutes ago. It all seemed to be like some slow motion film.
Suddenly Dave thought to himself, "Supposing it was me, supposing I was being
done by a load of black blokes. Supposing they were sticking the boot in on me.
This bloke ain't got a chance, neither would I, unless of course ...
Sometimes, maybe only once in your life, you find
yourself thinking and doing something you never believed you would do. You find
yourself feeling something you can't understand. This was how it was with Dave.
Suddenly it was so important for Dave to help this black bloke. His brain worked
fast. The others had the black fella pinned against the fence and were going to
boot him in the crutch.
"Hold it fellas for christ's sake", shouted Dave. He had
to be careful. He didn't want the others thinking he was chicken or a wog lover.
He had to play this one very shrewd, very shrewd indeed.
"Listen will yer, use your loaf", he shouted pulling
back Jumbo.
"What's up with you", spluttered Jumbo shaking him off.
"Listen you fool", said Dave in breathless excitement.
"Look", he continued. "The fuzz have just seen us, ain't they. Think man they'll
do us good if we do this black."
"What's up then, chicken?" sneered Chalkie.
"Look", Dave feigned anger. "I aint gonna get a three
year for any black bastard."
This sobered them, but Dave had to be careful. He pulled
the youth towards him by his collar. He had to make this sound good, real good.
"Listen", he breathed, "You filthy black scum - you go and tell your coon pals
this: you'd better get out of this country and go back to the jungle see." He
gave the youth a shove, "Get me? you tell 'em that - okay man?"
"Oh yeah man, I will man." The black youth sensed his
reprieve at the hands of this white fella. It was more than he had dared hope
for.
"Now!' shouted Dave giving him a shove. "Piss off
quick!" The black youth ran off being given a parting kick by Jumbo. A couple
shouted "Run black bastard, run."
They emerged onto the bridge again. "What you let him go
for?" muttered Jumbo sullenly.
"Listen", answered Dave. "I don't like blacks any more
than you do, but if I'm going to get jugged for doing someone I'll make sure
that it's someone worth getting jugged for, see?"
"The police wouldn't have bothered about a blackie."
mumbled Jumbo. But no-one said any more.
Dave thought, "Well that's true, the police don't give a
damn if a black bloke gets beaten up." But he was satisfied. He had pulled off a
good stroke, saving the black bloke's skin without losing face. Why he had
suddenly wanted to save this bloke he had no idea, but he had to admit it, he
felt somehow satisfied with life. Maybe he didn't really hate blacks, but it was
all a matter of form.
They quietly walked back over the bridge, Chalkie
putting his hands in his pocket. "It's a piss off isn't it?"
For once Dave didn't feel the same way.
Ian E. Reed.
STRUGGLE IDENTIFIED |
|
Sing we the two young women,
Angela and Lillian, |
Daughters of the twentieth
century; struggle its kernel, |
They exist in struggle; |
Which knows the conflict? |
|
Swifter of foot; with
implacable training |
Will, muscle, sinew drive to
the purpose |
Straining alone against
figures |
Wink-add |
Wink-add |
Wink-add |
Ing on the little screen |
|
Passive the millions,
approving complacent |
Claiming my effort, M.B.E. in
exchange. |
|
Me dying they sigh for, |
Collect for, enquire for |
In vain; for my strivings are
mine to the end. |
The struggle one quick
glimpse: black arms uplifted, |
Swift retribution ... Hush! Do
not mention. |
|
Bolder my people; ruthless
reaction |
Surrounds my young living,
murders my friends. |
Keen calculation follows
horrified anger |
Seeking out causes, comparing,
appraising; |
Grim understanding supports
young experience - |
Class is the kernel, origin of
struggle. |
High is my courage and strong
my intention; |
Among victims I explaining
their pain |
Arousing the millions to
knowledge and wrath. |
Savage retribution from
fear-ridden privilege |
Confirms me a victim |
Gaols |
Threatens |
Frames me. |
Sigh for, enquire for, collect
for me living; |
Defeat the oppressors intent
on my dying; |
Force their retreat now,
condemn their false trial, |
Expose their injustice;
resolute with me |
Declare: 'I'll not be free
until all are free!.' |
|
Barbara Smith |
|
|
|
THE BUILDING WORKERS' SONG |
|
The employer we're fighting's
a hard-working man |
And to be an employer is his
only plan. |
With his hands in our pockets
he's doing quite well |
And his days in the workhouse
ain't ended in hell. |
|
CHORUS: |
And it's no nay never, no nay
never no more |
Will we work with those
lumpers, no never, no more. |
|
I saw him this morning and
here's what he said: |
"You look like a Russian and
you talk like a Red." |
So put on your armour and
sharpen your sword |
And we'll show the bent
bastard his offer's absurd. |
|
CHORUS: |
|
We'll remember your faces when
we come around |
And God help your hides if
you've not paid the pound. |
They tried a sell-out but we
showed them how |
There's a national strike on
for all of us now. |
|
CHORUS: |
|
The Woodrows and Bisons have
threatened the sack |
But we showed those bastards
that we know the crack |
|
CHORUS: |
|
So strengthen your pickets and
tighten your belts |
You'll be wearing your shoes
right down to the welts |
And watch out you lumpers and
dodgers of taxes |
The rank-and-file lads are out
sharpening their axes. |
|
Rod O Connor |
|
|
NOW I'LL SHARPEN THE PENCIL |
|
Now I'll sharpen this pencil |
And muffle my mind |
In a slumbering sequence |
Of blanketed brimstones, |
And roam the rich realm |
Of midnight madness |
Where flat-capped camels |
Float free in the |
Snow soaked bluness, |
And chimpanzee chaplains |
So churlishly chafe |
Over Chinese checkers |
While bicating their blessings |
To far away flocks, |
And belching banana |
On faded frescos |
And frowning fonts |
Which fume for they're
thinking |
Of thousands and thousands |
Of furious infants |
Who watered the water |
In protest. |
Did those tender minds |
See that priests are persons |
Imprisoned in prisms |
Of myriad mysteries |
Where myrrh and mythology |
Mingle in fumbling mumblings? |
Did they picture the ape-men |
Who rode the Sahara |
For diamond dust date palms |
On Flat-capped camels |
Which sank to the sand |
On the sabbath and sadly |
Savoured the sanctification |
Of serfdom? |
Did their minds ferment |
With the simplest yeast |
When they sucked from their
mothers |
And peed on the priest? |
|
"John Smith" |
|
|
GREEN TOILET ROLLS TO MATCH MY
BATHROOM TILES |
|
The other day I received
through the post |
A letter from a most Reverend
gentleman |
Presently residing in Vietnam. |
|
Kind friend" he writes |
I wish to ask you for your
support |
For our missions in Kontum." |
|
I am sure you would be happy
to know |
That we have now been able to
order |
Ten metal pre-fabricated
buildings |
For our second hospital." |
|
Our doctor has already been
working |
For several months with 40
patients |
In insanitary mud huts |
With more than 120
out-patients every day. |
Our Nin-Quy Hospital is at
present |
Functioning in one of our
Kontum schools |
Until the damage to the
buildings |
In Min-Quy is repaired |
And security is assured for
our doctor |
And her staff." |
|
At Kon-Horing" he goes on to
say |
We have 220 children from 3 to
7 years |
Crammed into shelters with few
amenities. |
The Sisters of St. Vincent de
Paul |
Are doing their best to care
for them |
But we badly need to improve
their condition." |
He ends with the prayer that |
Peace will come soon to
Vietnam". |
|
I turned from that letter |
To my morning paper |
Looking first for news of
Vietnam. |
It spoke in terms of "Bloody
murder |
Against persons known |
Printing as a bonus in horror |
The copy of a letter sent by a
soldier |
In Vietnam to his mother in
America. |
Mama", he calls out in anguish |
Today I shot 3 women, |
It was kill or be killed |
For they were armed with
knives." |
|
One of the women held a baby
in her arms |
It cried for its mother when
she was shot |
And I was ordered to kill it." |
|
Mama, Mama, I could not do
this |
So my buddy obliged and blew
the baby's head off. |
The remains were thrown onto
the fire |
I watched them burn. |
Mama, Mama, please tell me |
What is right and what is
wrong, |
I do not know any more - |
|
Suddenly in the midst of all
this |
You burst into the room |
Completely unaware of course, |
Of how the morning's
intelligences |
Had channelled my mood. |
You expostulated |
Well I'm fed up and that's for
sure |
I've tried and tried, and
nowhere |
But nowhere can I find |
Green toilet rolls |
To match my bathroom tiles. |
|
Rose Friedman |
|
THE LOST, THE LOSERS AND THE
LAME |
|
Crowds of people |
are enormous cupboards |
Shutting themselves in |
Complete and secure, |
While outside |
Unobtainable and distinct |
Lies the life |
They vainly seek |
To fulfil. |
Each man |
Remains his own |
Jailer. |
Ten thousand |
Desolate souls |
Desperately trying |
To fit themselves into |
The recognised holes |
Before they become |
known -As the unclassified |
and therefore |
the lost, |
Lost? lost to what? |
Life, |
Or the insane |
Clanking engine |
Of misguided effort |
That hisses obscenely |
And places itself |
As the fulfilled |
Destiny |
Of the human race. |
|
I.E. Reed |
|
FEEL THE NEED - or See how the
other half lives |
|
Mr. Barber, Mr. Barber, |
Will you come to tea. |
Mr. Barber, you will feel the
need in me. |
You won't get steaks of
sirloin, |
Or after dinner wine, |
But if you fancy mince and
chips |
Well that's just fine. |
Please make it on a Friday, |
That's when I get paid. |
Are you any good at washing
up? |
We can't afford a maid. |
If you're partial to an apple |
When you've finished your
repast |
Treat it as a luxury |
And make it last. |
Then we'll watch the telly. |
I hope you won't be bored |
|
But with seven in the family |
It's all we can afford. |
A visit to the theatre |
Would cost too much you see, |
They've raised the price of |
Tickets with this stupid V.A.T. |
So if there is a programme |
That you like to watch a lot, |
I hope you've plenty of
tanners, |
The telly's on the slot. |
So do come Mr. Barber, |
And please bring Mr. Heath, |
But tell him my husband is
touchy |
And he mustn't show his teeth. |
Come share with us, we won't
begrudge it |
See how we live on your lousy
budget. |
|
J.E. Sutton |
|
|
WHATCHA MEAN |
|
|
Whatcha mean - tearing these
entrails from the sausage man |
Dripping fresh blood in the
alley |
Dreaming dreams of barren
desert sands |
Grasping at a comet tail |
Just whatcha mean gloria? |
|
Whatcha mean sucking me into
your private dream barefoot |
Soft like your labour that was
not love |
Reading about the walrus in
its shell |
Firing mallows into space |
Just whatcha mean gloria? |
|
Suck Gloria |
Herrick was right |
Old time is still a flying
...' |
And this same flower that
smiles today, |
Tomorrow will be dying... |
|
Colin Frame |
|
|
I AM SORRY FOR THEM |
|
|
I am sorry for them |
But I am sorry for them |
For they have lost |
- someone beautiful
|
A quivering silk |
A child newborn |
- leave off your hammers
|
And run to the air |
Breathe for Gloria |
Nothing else should care |
- leave off your shining
plastic, |
Tin-can world of reality, of
jangling dischord |
- Come with us
|
Us, our dream |
Our caress |
Our biting tongues |
Our warmed bones |
|
Colin Frame |
|
NEW SOUNDS OF MOTOWN |
|
The happy coupon seller made a
mint |
wading through sunlight with
his heart rolled up to his knees |
hostile glances breaking like
surf on his smile |
the breeze rippling over his
stomach no shirt |
was it a streaker?... |
no, was going to say |
no shirt buttons |
burst off on soup run |
ran too fast?... |
no, drank too much soup |
before summer came |
milk shakes and root beer |
dry grass and warm stars |
red sunset hanging on bedroom
wall |
out over the ocean |
|
padding softly now |
down the lines of cars |
bare feet on hot tarmac |
was it a hippy?... |
no, shoes being mended |
new uppers fitted |
said his name was dylan |
you mean it was ... |
no, spelt dillon |
came from detroit |
to get away from the fighting |
was it a draft doger then?... |
no, not the fighting in
vietnam |
it was at general motors |
not that kind of fighting, you
see |
|
ferry docks now |
cars and lorries rolling off |
dust and diesel fumes |
dillon does not like |
dives over fence and into
forest |
sits on carpet dappled shade
and sunlight |
chewing not gum |
grass stalk |
birds chirp rustle |
unhurried hedgehog passes |
single track beneath the
bushes |
no overtaking |
dragonfly wings whirring |
fern and foxglove growing |
sounds of forever |
|
cars in line again |
standing at ease |
chains and siren playing |
not music |
ferry moves off |
afternoon sun hot on tin
roofs |
irritates passengers |
not dillon |
counts his change |
half his coupons sold already |
was it a lottery then?... |
no, it was annual bathtub
races |
coupons in commemoration of |
totally worthless |
not even gummed on the back |
but marketed by a leading
citizen |
who won considerable acclaim |
For his spirit of enterprise |
but if dillon thought that |
no, he did not think |
felt good |
hairs rising on back of neck |
sunsmiling down |
business booms |
at the front |
the lady with the cadillac |
still waiting |
asks again |
why he is smiling |
and dillon gives her his last
coupon |
to sell |
but she cannot undo her safety
harness |
and remains seated |
behind her credit card |
dillon smiles |
and goes to look for |
nanaimo girl ... |
|
You mean this was real?... |
real, yes |
like a dream |
he said |
the arbutus trees |
do they stay green |
through the winter |
underneath the fir trees |
does it stay warm at night |
knowing well the answer |
the sun slipping away |
towards Hawaii |
end of summer |
first chill in the water |
he crossed |
or the early morning ferry |
said it was time |
to stop dreaming |
|
did he write to you?... |
just a postcard picture of lak
eerie |
said it didn't show the
poison |
said he couldn't find a
picture |
of what it's really like |
said he was lost for words |
and smiles |
|
i saw his photograph |
in last week's paper |
said he was a wildcat |
was he?... |
wild? no, not that sort |
of wild |
more like a bird |
he just needed to be free... |
that letter you were reading
this morning |
yes, he wrote to say |
you may have read about this
militant |
pulling the power-switch |
with a three-hundred man
bodyguard |
holding to ransom |
general motors |
taking orders for exports |
forced to change our
supervisor |
well, next time |
we may be nearer three
thousand |
and general motors |
may be forced to take orders |
from his own infantry |
and start changing what's
being supervised |
but can you believe |
we re just trying to get some
peace |
they won't let us breathe |
please don't think i begrudge
you |
the new vega your father was
buying you |
someone's got to buy the
goddamn things |
and please don't expect
poetry |
from a sixty
hourweekcontinuousprocessworker |
not yet |
you see, i've realised |
it's someone else's language |
he always used to let me use |
the parts he didn't need |
but now the parts we need |
he's using for something quite
different |
something completely unnatural |
so we're beginning to
question |
what he's doing with our
language |
as well as our lives |
was he always a bit of a
trouble-maker?... |
trouble? he was always |
running away from it saying |
they won't let me breathe |
always used to talk about
"me" |
dillon |
now he says |
you wouldn't recognise me |
there's a million of us |
we can't all hit the trans-canada
highway |
now he talks about "us" |
as if he's struggling |
with the beginnings |
of a new language |
|
Rick Gwilt |
|
|
GLASS IS DYNAMITE |
|
The new world shines through
all the windows of the old one" Lenin I dedicate this to T.S.Eliot,
Virginia Woolf and Joseph Conrad - wide windows of the old world. |
|
|
Glass is dynamite. |
In Hampstead on the hill even
the bricks are made of glass, |
And the books are prisms,
primed with |
His Wasteland |
Her Lighthouse |
His Sailors, |
But the eyes that pass see
themselves only. |
|
Glass is dynamite down across
the heath where only his solitary |
Nightingale hears the cries
from the stony deep, |
Down beyond the ponds where
the fisherman alone |
Can enter the all-breaking
sea, |
Down, down into the grey ocean
pitching with drowned young sailors. |
|
In Hampstead on the hill only
the bricks know |
Of the terror of their
drowning, |
And only the books are
dreaming of the drowned ocean. |
The eyes that pass are waiting |
To see themselves |
Only. |
|
The windows of the bookshop
must be broken. |
|
Now staring eyes - |
His Wasteland |
Her Lighthouse |
His Sailors |
Are escaping, down beyond the
heath down into the ocean. |
|
Can it be true, |
This learned demolition-man |
Cementing bricks |
In the callous ocean? |
|
Can it be, |
Her fragile beam that's
breaking |
Into the fathomless worlds
that lie between |
The chanting waves of drowned
young sailors? |
|
Can it be true, |
This reflection through the
long mist |
Of the wrecked imagination - |
A figure rigged with sails
that his mates have cleated |
Standing out of the
pitch-black sea? |
|
And the fisherman stands as
the voyage begins |
And the nightingale stops to
hear the song |
Of the new Magellan. |
An adumbration |
Of versing young sailors, |
Kindling |
Out of the stony rubbish |
Live lilacs. |
|
Back on the hill they're
growing vines |
To hide |
The bricks of Keats' cottage, |
But the windows are exploding. |
|
David Kessel |
|
CHILE |
|
What has happened to this
distant flower in my now wounded side, redolent |
Of ecstatic childhood dreams
held briefly on walking? The aroma |
And the death cling to my
visions like clay, and the corpses |
Throw up mountains from the
plains; such anguish from their peaks! |
The stalks of the grass seem
to bleed with the arrogant murders; |
Their very green bruised and
trodden into my heart. |
The desert winds blow dry, and
now there are no copper hands smiling |
With the grip of the burnished
hope of their labour. The sweat of work |
And fear beneath a sun no
longer tempered by the arguments of men |
Together. In the snow the cold
is definitive, frigidity conquering icily. |
Even the great ocean, that
seemed all waves and horizons, has closed around it |
|
Mist in my eyes. Does only the
nomad gull bear Chile's tomorrow now? |
|
The city skyscrapers guard the
sky with forbidding patriarchy: |
High altars of the laws of
capitalist order, that can stop the sun. |
The Conquestadors didn't, but
Chileans in Cadillacs may! Can they give |
Mercy, despite their desperate
fear of change, of slums, and of the dawning |
Power of people? |
|
The people must work still,
but can never forget this insult hewn, |
Into the deep-felt mine of
their consciousness, by military |
Gods, in arms against the
transformation-bound workers. |
Congealed sweat and blood
unite them, and their art of survival - profound |
Collective memory of how they
only are able to turn the cogs of wheels. |
Instrumental |
|
As is their struggle, which
still may yield the Heaven of all our History. |
What can intimidate these who
live by sacrifice, and are |
Within each other? |
|
The land and the peasant who
labours are the spring of all creation. |
Into her hoed furrows he
kneels to feel the kind soil. |
Together they nourish the
sources of all our dreams, and tyrannies! |
What madness is it to divide
them by landlordism? |
He, who cannot help loving the
soil, now fears to tread it; |
His toil respected like so
much cast-aside rock, and his anguish |
Fires his brain to radiant
anger! A peasant's vision - |
His Christ, nailed at long
last between his eyes, |
Forever in him blinded by a
bullet. |
|
Now his light is penetrating
numberless brains. Determination |
Wrought in me also, when the
slain man turns and smiles |
In a London street. |
|
A crowd made into a people by
duty and love" Neruda |
|
David Kessel |
|
RANDOM THOUGHTS OF A TELEFAN |
|
The other day our earnest
B.B.C. |
Held a symposium on morality. |
Must it, they asked, have a
religious base, |
Or can the atheist show a
moral face? |
Religion's curb, 'tis said, is
badly needed |
In case our moral teaching
goes unheeded. |
A pious don with Christian
point of view, |
An atheist of quite a
different hue - |
These two, restraining each
his inward passion, |
Set forth their views in
gentlemanly fashion. |
One point in all their
complicated stuff |
Struck me as being an arrant
piece of bluff: |
An atheist?" said the
Christian, "You can't claim |
To take that title - you are
much to blame - |
You cannot prove there isn't
any god." |
Such argument indeed is very
odd, |
For even the Christian
spokesman made it clear |
He cannot demonstrate that god
is here; |
He has no proof in solid black
and white, |
With Q.E.D. of logic, that
he's right. |
Unshakable belief, that's his
delight. |
Belief, not proof, is all that
god can ask, |
And even that is quite an
uphill task. |
His own opinion's all that
each affirms, |
However much the other fellow
squirms. |
But yet, amid these tentative
surmises, |
Undoubtedly a deeper point
arises: |
To argue whether x exists or
not |
Is like investigating - heaven
knows what! |
Some rough idea of what x
seems to be, |
Some hazy sketch of this
uncharted sea, |
Its qualities, its shape, its
thought, its acts, |
Some inkling of what seem to
be the facts, |
Would greatly help us to
resolve our doubts |
And weave our way through all
these ins and outs |
Of whether god exists. God =
x, |
This dark equation cannot but
perplex: |
God undescribed, unknown, and
undefined |
Is meaningless to any thinking
mind. |
But if you say: "The god that
mankind need |
Is here, enshrined within my
Christian creed", |
Id try to prove this god
cannot exist. |
My atheist views will
therefore still persist. |
Yet, my good friend, I would
be very loth |
To leave no crumb of comfort
for us both - |
I'd hate indeed to leave you
broken-hearted, |
So let's take up the point
with which we started. |
Neither the Christian creed
you think so true, |
Nor the ungodly way which I
pursue, |
(As adumbrated in this modest rhyme)
|
Will set us on the primrose
path of crime. |
|
Maurice Wiles |
SOLID GLEAMING COAL
The Miners' dispute reminded me of the occasion a few
years back when Les said to me "Would you like to go down .... Pit?" I jumped at
the offer.
We arrived at the manager's office towards midnight. The
others had brought working clothes and boots with them. I hadn't, so the manager
rigged me out with everything, except boots. We went to the baths and there
changed. We then went to the lamp room and were given helmets, lamps and I was
given a walking stick. We walked to the lift cage. The manager had a word with
the man in charge of the lifts - Les said it was to tell him to take the lift
down gently because of me.
We got into the cage, the bar was fastened and I, in my
innocence, leaned in relaxed manner against the side of the cage. All of a
sudden, I felt as though the floor of the cage had been removed and that I was
falling through space. I was catching my breath. Within seconds my feet were
pressing against the floor of the cage and then a slow, gentle descent and stop.
As we got out of the cage, we were met by the night overman, who frisked each of
us for matches and cigarettes. This completed, the manager said he must 'phone
the surface before we proceed to the coal face, and so we went into the pit
bottom office.
As we entered this small office with its telephone
exchange, a man came forward with a sock over his right hand, whereupon the
manager said: "Ah! you're Mr....how is your hand?" The man answered: "Alright".
"Let me see it", said the manager. The man peeled off the sock, then a cloth
mitten, then a white covering. There displayed was a distorted hand with white
and pinkish patches. I became conscious of extra pulses in my stomach. Being of
a squeamish disposition, I wanted to turn my head away, but I couldn't.
I was mesmerised. My thoughts started racing. I could
see the man's hand between two pieces of rock-like coal. I saw the man's face
distorted with pain, his eyes bulging, the sweat started on my face.
This seemed a long time, in fact, it must have taken a
couple of minutes, for the conversation was diverted from the hand to the fact
that the man had not yet got his shilling through. Evidently, he had been
receiving twenty seven shillings per shift at the time of the accident and was
now receiving twenty six shillings - the rate for the job he was then doing.
The manager promised to take it up.
We started walking and I immediately felt better. We
walked a short distance and then got onto an underground train. We must have
travelled for half or three quarters of a mile and then it stopped. We stepped
off the "train" and started walking. Loon I was lagging behind, every now and
then either Les or the manager would glance round to make sure I was following.
Now and again they would stop until I caught up with them, and with a "Are you
alright" they would start off again. All the time they talked. Soon the sweat
was running down my face, running into my eyes and mouth and making my shirt
collar wet. I wanted to get my handkerchief out to wipe my face, but I couldn't
manage it. We were walking in blackness except for our pit lamps. We were
walking on a road of broken stones and my thin soled shoes felt as though they
were pierced with every step I took. I had to keep up the pace if I was not to
lose sight of them. I was feeling the weight of the helmet increase with every
step. The sweat was getting unbearable. Somehow I found I could not use my
hands. I could not place the walking stick in the hand that carried the lamp,
the moment I attempted to do it I felt an imbalance. I felt I was going to fall.
I was trying to do this whilst marching along that rough road, with hazards that
had to be watched for.
What a relief when I saw the lights at the end of the
road. Two and a half miles from the pit bottom Les said.
The coal face What a surprise, seven feet high and fifty
yards wide, twenty five yards either side of the road. Gleaming solid coals A
small number of miners were working on the night shift preparing for the day
shift. We turned to the right and went about twenty yards and sat down in front
of the face. I was furthest away from the road, next to me sat Les, then the
manager, then the overman and the nearest to the roadway was the union Branch
Secretary.
It seems that the normal mining practice is not to take
all the coal out of a seam, always a certain amount is left attached to the
roof, because coal creaked and therefore, warned of the danger of a roof fall,
whereas a stone or rock roof fell in without warning. In this unusual seam of
coal the roof was perfect and therefore, there was no danger of a roof fall and
all the coal was extracted. Now, the argument was that as the men were getting
an extra foot of coal along the whole seam, they were entitled to extra money,
they were asking for two shillings per shift.
The argument went on. I sat and listened, I watched the
men at work in the roadway and on the other side of the roadway. I looked at the
back of me and saw the props holding up the roof, saw the piles of props,
shovels, picks, and other equipment the day shift would use. Suddenly, I felt a
bit faintish, there was something wrong about the air. I was beginning to feel
that there was not enough of it. After a while I nudged Les and said: "Lea, I
don't feel too good." He turned to me and said: "Won't be long now." The manager
heard this exchange and took a look at me but they continued talking.
Suddenly I turned to Les and said: "Les, I'm going to
faint." Before Les could reply, the manager stood up, took me under the arm,
helped me up and propelled me along over the loose lying lumps of coal to the
road-way where two big, fine, strapping lads were using shovels, at least
eighteen inches square, and called on one of them to help him and between them
they lifted me over a moving belt and onto the roadway. The young miner walked
me about twenty yards down the road and lowered me to the ground with my back
against the wall. I began to feel the flow of air. I quickly revived.
I breathed deeply as we left the cage at the pit top,
but could not help saying to myself "Poor sod, for twenty seven shillings per
shift - he'll never use that hand again."
- like millions of others, was born, and died completely
unaware how great he was.
Mick Jenkins
CHILE |
|
I can see the dirty smile, |
On the clean face of the radio
news-reader |
While he said, "Allende is
dead"... |
With his clean voice he said, |
The Junta had no choice but to
wipe out the man, |
Who had made such a mess of
the economy." |
And thousands more have had to
die; |
And shall I try to justify |
This peaceful Marxist's path? |
I weep in anger, seethe in
rage, |
That in this age, the man
that's put up front, |
Should be so mild and trusting
of the enemy. |
So easily killed by the
killers, that he let walk so free, |
And free to make a bloody pool |
Of Allende's blood, The bloody
fool. |
But not so bloody foolish, |
For he won the bright-eyed
love |
Of many thousand workers, and
their children, |
And their wives, in the way he
changed their lives. |
They loved the Marxist massive
love of masses; |
But now he has been put down,
by the greedy few |
With guns. By the unadmirable
admirals, and by generals |
Who, in particular, represent,
more or less, |
No one, but the small men, who
own big business; |
Both Chilean, |
And American. |
|
Sol Garson |
|